Böhm Organ

Beethoven - Symphonies Nos. 6, 7 & 8, Overtures (1993) {Karl Böhm, VPO} {2CD Deutsche Grammophon 437 928-2 rec 1969-72}

Beethoven - Symphonies Nos. 6, 7 & 8, Overtures (1993) {Karl Böhm, VPO} {2CD Deutsche Grammophon 437 928-2 rec 1969-72}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 619 Mb | MP3 @320 -> 306 Mb
Full Artwork @ 300 dpi (png) -> 30 Mb | 5% repair rar
© 1969-72, 1993 Polydor / Deutsche Grammophon | 437 928-2
Classical / Symphonies

Karl Böhm's Beethoven is, on balance, the best complete cycle available from Deutsche Grammophon. This will come as a surprise to many, given the fact that the label relentlessly promotes performances by Herbert von Karajan (three complete cycles!) and Leonard Bernstein, but for quality of playing, as well as superb sound, these versions are just about unbeatable. And at a "twofer" price, the complete set on three pairs of discs is a terrific value. –David Hurwitz
Beethoven - Symphonies Nos. 3 & 9, Overtures (1992) {Karl Böhm, VPO} {2CD Deutsche Grammophon 437 368-2 rec 1972}

Beethoven - Symphonies Nos. 3 & 9, Overtures (1992) {Karl Böhm, VPO} {2CD Deutsche Grammophon 437 368-2 rec 1972}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 687 Mb | MP3 @320 -> 345 Mb
Full Artwork @ 300 dpi (png) -> 29 Mb | 5% repair rar
© 1972, 1992 Polydor / Deutsche Grammophon | 437 368-2
Classical / Symphonies

This is one of the greatest recordings of the famous Ninth Symphony. It has long been overshadowed by Karajan's three recordings for the same label, as well as Bernstein's version with the same orchestra. But put them all on your CD player and compare, and this is the one you'll be coming back to. Böhm was the least glamorous of conductors, but he approaches the Ninth with messianic zeal and a fanatical gleam in his eye. The opening movement is a cataclysm, the sublime slow movement never loses its contemplative flow, and everyone involved simply sings and plays the pants off of the finale. If the final minute or two doesn't pull you right out of your seat, nothing will. Grab it while you can at this "twofer" price. It's a steal. –David Hurwitz
Beethoven - Symphonies Nos. 1, 2, 4 & 5 (1993) {Karl Böhm, VPO} {2CD Deutsche Grammophon 439 681-2 rec 1972}

Beethoven - Symphonies Nos. 1, 2, 4 & 5 (1993) {Karl Böhm, VPO} {2CD Deutsche Grammophon 439 681-2 rec 1972}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 628 Mb | MP3 @320 -> 317 Mb
Full Artwork @ 300 dpi (png) -> 29 Mb | 5% repair rar
© 1972, 1993 Polydor, Deutsche Grammophon | 439 681-2
Classical / Symphonies

Karl Böhm's Vienna Philharmonic Beethoven cycle is Deutsche Grammophon's best kept secret. Not only is it the finest complete set of Beethoven symphonies in their catalog, it's also far and away the best recorded, and to make matters even more irresistible, it's also the least expensive (it's available on three "twofer" sets). These performances are typical: weighty, intense, powerful, and magnificently played. Listen especially to the (comparatively) neglected Fourth Symphony: if Böhm doesn't convince you that this is major Beethoven, then no one can.
Mozart -  9 Symphonies (2015) (Karl Böhm, Berliner Philharmoniker) (3CD Box Set) [Japan SA-CD]

Mozart - 9 Symphonies (2015) (Karl Böhm, Berliner Philharmoniker) (3CD Box Set)
EAC Rip | FLAC (tracks+.cue, log) | Artwork (jpg) | 987 mb | MP3 CBR 320kbps | RAR | 513 mb
Classical | Label: Deutsche Grammophon - ESSG-90130-32

Esoteric Japan released a Hybrid SACD box set of Mozart: 9 Symphonies on December 15, 2015.

Karl Böhm - The Early Years (2017)  Music

Posted by SERTiL at July 7, 2017
Karl Böhm - The Early Years (2017)

Karl Böhm - The Early Years
Classical | WEB FLAC (tracks) & d. booklet | 21:23:39 | 4.09 GB
Label: Warner Classics | Tracks: 14 | Rls.date: 2017

"The Austrian conductor Karl Böhm is one of the towering conductors of the 20th Century. As the embodiment of the long Austro-German musical tradition, he helped to write musical history. This 19-CD set assembles all the extant recordings he conducted for EMI (notably its German Electrola label) over the period 1935 to 1949 in Dresden, Berlin, Vienna and London includes a number of rarities and the world premiere release of a version of Mozart’s Serenata notturna recorded in Vienna in 1947. It was during these years that Böhm cemented his reputation as a major conductor of Austro-German repertoire. Collectors will also be pleased to know that this set contains all the recordings that featured in the now-iconic series of Dresden-themed LP boxes released by EMI to mark Böhm’s 85th birthday in 1979. "
Wolfgang Amadeus Mozart - Horn Concertos - Günther Högner, Karl Böhm (2016) {Deutsche Grammophon 413 792-2}

Wolfgang Amadeus Mozart - Horn Concertos - Günther Högner, Karl Böhm (2016) {Deutsche Grammophon 413 792-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 244 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 300 dpi (png) -> 70 Mb | 5% repair rar
© 1980, 2016 Polydor / Deutsche Grammophon | 413 792-2
Classical / Viennese School / Concerto / Horn

The Originals Series offers listeners the opportunity to explore key albums from the Yellow Labels LP era and experience the power and passion of performances by a host of visionary artists. Now DG welcomes ten new titles to the range, including some of Karl Böhms recordings of Mozart wind concertos which have always been considered among the best. Here, the Wiener Philharmoniker principal Gunter Hogner demonstrates his skill and agility on the Viennese horn in Mozarts four horn concertos. Günter Högner plays with much character, and no-one will be disappointed with the DG issue, which is beautifully recorded and has splendid accompaniments from the WP under Böhm.
Maurizio Pollini, Karl Böhm & Wiener Philharmoniker - Mozart: Piano Concertos 23 & 19 (1976/2012) [Official Digital Download]

Maurizio Pollini, Karl Böhm & Wiener Philharmoniker - Mozart: Piano Concertos 23 & 19 (1976/2012)
FLAC (tracks) 24-bit/192 kHz | Time - 55:08 minutes | 1.82 GB
Studio Master, Official Digital Download | Artwork: Front Cover

On his first concerto disc for Deutsche Grammophon and his first devoted to works by Mozart, Maurizio Pollini performs two perennial favourites: the sunny A major work and the lively F major K.459 with its overwhelming fugato finale. The veteran conductor Karl Böhm and sumptuous accompaniments by the Vienna Philharmonic provide the perfect background to Pollini’s immaculate playing.
Richard Wagner - Karl Böhm - Der Ring Des Nibelungen (1967, 2006, Philips # 446 057-2) {14xCD Box} [RE-UP]

Richard Wagner - Der Ring Des Nibelungen
Chor und Orchester der Bayreuther Festspiele / Karl Böhm
14xCD | EAC+LOG+CUE | FLAC: 3,84 GB | Artwork | 5% Recovery Info
Label/Cat#: Philips # 446 057-2 | Country/Year: Germany 1967, 2006
Genre: Classical | Style: Opera, Romantic

"Musikalisch dichte, klanglich prächtig ausbalancierte und das Primat der Sänger wahrende Aufnahme, deren Schönheit aus der Gesamtwirkung resultiert…Im Gesamteindruck setzt diese Aufnahme große Wagner-Tradition mit großer Bestimmtheit und Überzeugungskraft fort." ~Hermes Opernlexikon
Johan Brouwer - Plays Bach, Böhm, Couperin, Forqueray (Taskin Harpsichord) (2014) [TR24][OF]

Johan Brouwer - Plays Bach, Böhm, Couperin, Forqueray (Taskin Harpsichord)
Classical | FLAC (tracks) 24-bit/96 kHz | 70:28 min | 1.63 GB | Digital booklet
Label: Aluid Records | Tracks: 18 | Rls.date: 2014

Bach and the French baroque: The working title of the programme is Bach and the French baroque. L’art de toucher le clavecin by François Couperin (1668-1733) was published in 1716 as a manual for the French style and gives important instructions for playing the harpsichord as regards finger positions and ornamentations. The préludes are written-out improvisations in the style of the Préludes non mésurée.
Berliner Philharmoniker under Karl Böhm - Mozart: Symphonies Nos. 35-41 (2015) [Official Digital Download 24bit/96kHz]

Berliner Philharmoniker under Karl Böhm - Mozart: Symphonies Nos. 35-41 (2015)
FLAC tracks 24bit/96kHz | Digital Booklet | 2.84GB + 5% Recovery
Studio Master, Official Digital Download, Deutsche Grammophon

These performances come from the first ever complete set of the Mozart symphonies, dating from the 1960s, and they still represent 'big orchestra' Mozart at its most congenial. The contrast here between Bohm's sparkling Mozart, both elegant and vigorous, and the much smoother view taken by Karajan with the same orchestra, works almost entirely in Bohm's favour. Interpretatively, these are performances very much of their time, with exposition repeats the exception (as in the first movement of No. 40) and with Minuets taken at what now seem lumbering speeds. Yet slow movements flow easily, and finales bounce along infectiously. Consistently they convey the happy ease of Bohm in Mozart, even if the recording is beefy by today's standards, not as transparent as one now expects in this repertory, whether on modern or period instruments.