Happily, Blue Note Records and Michael Cuscuna have reissued this wonderfully relaxed recording, which dates from a very fertile period of the renowned jazz label's history. Tenor saxman Jordan was influenced by and shares influences with Sonny Rollins, Dexter Gordon, John Coltrane and Hank Mobley; the early inspiration of Lester Young can also be heard. On this date, the selection of tunes is pleasantly balanced between three originals, two bebop standards, and Ellington's "Sophisticated Lady." Trumpeter Art Farmer's playing is up to his usual high standard - thoughtful, sensitive and technically brilliant. Pianist Sonny Clark is captured during the most prolific phase of his ten-year recording career; together with bassist George Tucker and drummer Louis Hayes, they create a solid, swinging and simpatico rhythm section.
Lee Morgan’s first meeting on record with Clifford Jordan was in June 1957, when Morgan was about to turn nineteen and Jordan had just begun making a name for himself. After their first collaboration, the precocious Morgan occasionally called Jordan to play tenor on his recordings; thus they recorded together twice in 1960 and once in January 1962.