Bursting with the transcendent sounds of this choir of boys and men coupled with the glorious acoustic of St. Paul's in Harvard Square, every selection on Ave Maria tells a story. Each beautiful and interesting work has its own history. Perhaps none more significant than that of the inspiration for Palestrina's Missa Pappae Marcelli or of the extraordinary depiction of the Magi from the East in 'Reges Tharsis,' on to the vivid and dramatic use of harmony in Bruckner's Virga Jesse. One thing is clear, this beautiful music has a stream of inspiration running clearly throughout. Dvorak and Rachmaninoff are such well-known names, however Rachmaninoff himself called 'Bogoroditse Dyevo' a favorite of his own works. A must have for quintessential boy-choir category in the music collection.
Lusine Zakaryan (Armenian: Լուսինե Զաքարյան), born Svetlana Zakaryan, (June 1, 1937 in Akhaltsikhe, Georgian SSR – December 30, 1992, in Yerevan, Armenia), was an Armenian soprano. She grew up in the Samtskhe-Javakheti region of southern Georgia. In 1952, she moved with her family to Yerevan, where she attended a secondary music school. She entered the Yerevan State Musical Conservatory in 1957 and her singing talent soon became clear.
From 1970 to 1983, Zakaryan was a soloist with the symphony orchestra of Armenian TV and Radio. She also sang in the choir of the Armenian Apostolic Church's Holy See at the Echmiadzin Cathedral, and it is for her magnificent rendition of centuries-old Armenian spiritual hymns that she is now most remembered.
Zakaryan was also known for singing the international opera repertoire as well as Armenian traditional and church music.
"Ave Maria" is a traditional prayer dedicated to the Virgin Mary, mother of Jesus, asking for her intercession. It has been set to music in over 4000 songs, some of which kept the original prayer as words while others used a different text than the traditional one…
In this album we find Westminster Cathedral Choir at the peak of their powers, performing masterpieces of the Italian Renaissance. These two magnificent and contrasting settings perfectly demonstrate why Palestrina has been acknowledged as the master of this repertoire from his lifetime to the present day.
Mann is a gunman informed by a childhood friend that his father was murdered years earlier by his mother and her lover. To make matters worse, Mann's sister, who is in love with his friend, is held under the thumb of his murderous mom. The two gunmen ride off to have a reckoning with her.