Jackson Browne faced the nearly insurmountable task of following a masterpiece in making his second album. Having cherry-picked years of songwriting the first time around, he turned to some of his secondary older material, which was still better than most people’s best and, ironically, more accessible — notably such songs as “These Days,” which had been covered six times already, dating back to Nico’s Chelsea Girl album in 1967, and “Take It Easy,” a co-composition with the Eagles’ Glenn Frey that had been a Top 40 hit for the group in 1972.
The enigmatic Worrell continues to amaze. Like the first Dark album, Worrell's THE OTHER SIDE is absolutely uncategorizable. That he was once affiliated with the likes of George Clinton and the whole P-Funk gang is a mere footnote in the career of this iconoclastic keyboardist. Modal strains of jazz, perverted avant-noise, and organ-drenched experimental atmospheres are only a minute fraction of the chaotic and paradoxical styles etched onto this disc. In short, there's something for everyone here, but everyone should take heed–Worrell's attitudes go way beyond the expected boundaries flanking jazz and funk. His free-form personalities take hold on THE OTHER SIDE and transform it into a jaw-dropping, delightful adventure of unexplored and unexpected sonic realms.
One of the hippest albums ever from the team of Harold Land and Bobby Hutcherson – and a set that's even more open than some of their other records on Blue Note or Chess! This set's a bit more electric than some of the other records from the pair – with these drawn-out Fender Rhodes lines from Bill Henderson – who comps and vamps with modal energy that really draws out some searing, searching solos from Land's tenor! Bobby's vibes are maybe a bit more restrained, but offer a key element in the overall soundshape of the record – and the rest of the lineup includes Reggie Johnson on bass, Ndugu and Woody Theus on drums, and Harold Land Jr on additional piano.
Official Release #91. In October 1971, Frank Zappa & The Mothers of Invention played two shows in one night at New York City’s Carnegie Hall. The album, Carnegie Hall, celebrates that night's marathon – two shows (7:30 and 11:30 p.m.) with ticket prices ranging from $3.50 to $6 – featuring Zappa (lead guitar, vocals) with Mark Volman (vocals, percussion), Howard Kaylan (vocals), Ian Underwood (keyboards, alto sax), Don Preston (keyboards, gong), Jim Pons (bass, vocals) and Aynsley Dunbar (drums).
SOUTHERN BLOOD serves as a remarkable final testament from an artist whose contributions have truly shaped rock & roll throughout the past four decades. This is Allman's first all-new recording since 2011's GRAMMY® Award-nominated solo landmark, LOW COUNTRY BLUES. Produced by Don Was and recorded in Muscle Shoals where Duane Allman and the earliest seeds of the Allman Brothers Band were sown, Southern Blood is among the most uniquely personal of the Rock & Roll Hall of Famer's career. This emotionally expansive collection of songs written by friends and favorite artists including Jackson Browne, Willie Dixon, Jerry Garcia & Robert Hunter, Lowell George and Spooner Oldham & Dan Penn serves as a salutary farewell to his legion of devoted fans and admirers. Deluxe package comes with two live bonus tracks, as well as Back to the Swamp: The Making of Southern Blood DVD.
Kottke's sixth official album is a dazzling array of pieces, some wistfully romantic ("Mona Ray"), others savagely witty ("When Shrimps Learn to Whistle"), and still others downright folksy ("Bill Cheatham"), with accompaniments of varying shapes and types, from dobro to synthesizer and piano.
Excellent addition to any rock music collection
Since Traffic originally planned its self-titled second album as a double LP, the group had extra material left over, some of which saw release before the end of 1968 (there was a new, one-off single released in December, “Medicated Goo”/”Shanghai Noodle Factory”). In January 1969, Steve Winwood announced the group’s breakup.
Danish super group Girls in Airports returns this Autumn with the release of their 5th album ‘Live’ recorded in Germany, April 2017. Described as ‘a unique blend of Nordic jazz lyricism, indie-rock influences and sounds from around the world’, their charismatic live performances have quickly made them one of the most talked about new bands on the international scene. Featuring four new tracks as well as eight finely honed performances from their previous three albums, ‘Live’ combines jazz, indie and urban folk into a unique expression of heart stirring melody-laden elegiac hooks and dance-friendly globally-influenced rhythms.