Autumn Leaves Miles Davis

Miles Davis - Seven Steps: The Complete Columbia Recordings Of Miles Davis 1963-1964 (2004) {7CD Columbia C7K 90840}

Miles Davis - Seven Steps: The Complete Columbia Recordings Of Miles Davis 1963-1964 (2004) {7CD Columbia C7K 90840}
EAC rip (secure mode) | FLAC+CUE+LOG -> 2.12 Gb | MP3 @320 -> 958 Mb
Full Artwork @ 300 dpi (jpg) -> 50 Mb | 5% repair rar
© 1963-64, 2004 Columbia / Legacy / Sony Music | C7K 90840
Jazz / Hard Bop / Modal Music / Trumpet

Seven Steps: The Complete Columbia Recordings of Miles Davis 1963-1964 is an anomaly among the retrospective sets that have been issued from the late artist's catalog. It does not focus on particular collaborations (Miles with Coltrane, Gil Evans, the second quintet), complete sessions of historic albums (Bitches Brew, In a Silent Way, and Jack Johnson), or live runs (Plugged Nickel and Montreux). Instead, it is a portrait of the artist in flux, in the space between legendary bands, when he was looking for a new mode of expression, trying to find the band that would help him get there. These seven CDs begin after the demise of bands that included John Coltrane, Cannonball Adderley, Bill Evans, Paul Chambers, Jimmy Cobb, and Wynton Kelly, after his landmark Gil Evans period, and even after his attempts at creating a new band with everyone from Frank Strozier and Harold Mabern to Sonny Rollins and J.J. Johnson.
Massimo Farao' Trio - Autumn Leaves (2014) [Japan 2015] SACD ISO + Hi-Res FLAC

Massimo Farao' Trio - Autumn Leaves (2014) [Japan 2015]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 60:50 minutes | Front/Rear Covers | 1,96 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 1,32 GB

Massimo Farao, who is from Italy, first visited the United States in 1983 when he played with Red Holloway. In Europe he has since worked with many top performers including Tony Scott, Jesse Davis, Franco Ambrosetti, Nat Adderley, Jack DeJohnette and a notable tour in 2007 with organist Joey DeFrancesco. Even with all of that, it is as the leader of his own trio that he really shines. Lovers of the classic jazz piano trio will find much to enjoy on Massimo Farao's Autumn Leaves.
Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}

Miles Davis - The Complete On The Corner Sessions (2007) {6CD Box Set Columbia 886970 6239 2 rec 1972-1975}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.73 Gb | MP3 @320 -> 964 Mb
Full Artwork @ 300 dpi (png) -> 541 Mb | 5% repair rar
© 1972-75, 2007 Columbia / Legacy / Sony BMG Music | 886970 6239 2 | 24bit remastering
Jazz / Fusion / Jazz-Funk / Jazz-Rock / Free Funk / Funk

From the opening four notes of Michael Henderson's hypnotically minimal bass that open the unedited master of "On the Corner," answered a few seconds later by the swirl of color, texture, and above all rhythm, it becomes a immediately apparent that Miles Davis had left the jazz world he helped to invent – forever. The 19-minute-and-25-second track has never been issued in full until now. It is one of the 31 tracks in The Complete On the Corner Sessions, a six-disc box recorded between 1972 and 1975 that centers on the albums On the Corner, Get Up with It, and the hodgepodge leftovers collection Big Fun. It is also the final of eight boxes in the series of Columbia's studio sessions with Davis from the 1950s through 1975, when he retired from music before his return in the 1980s. Previously issued have been Davis' historic sessions with John Coltrane in the first quintet, the Gil Evans collaborations, the Seven Steps to Heaven recordings, the complete second quintet recordings, and the complete In a Silent Way, Bitches Brew, and Jack Johnson sessions. There have been a number of live sets as well; the most closely related one to this is the live Cellar Door Sessions 1970, issued in 2005.
Miles Davis - Miles: The New Miles Davis Quintet (1956/2016) [Official Digital Download 24bit/192kHz]

The Miles Davis Quintet - Miles: The New Miles Davis Quintet (1956/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 34:00 minutes | 921 MB
Studio Mono Master, Official Digital Download | Artwork: Digital booklet

This album was the first to be released showcasing Miles Davis and his new quintet (John Coltrane on tenor sax, Red Garland on piano, Paul Chambers on bass and Philly Joe Jones on drums). However it was not the first that Davis recorded with this quintet: before Davis could leave Prestige for his new record label, Columbia, he had to fulfill the remainder of his contract.

Miles Davis Featuring John Coltrane (2005) 4CD Box Set  Music

Posted by Designol at Feb. 9, 2018
Miles Davis Featuring John Coltrane (2005) 4CD Box Set

Miles Davis Featuring John Coltrane (2005) 4CD Box Set
EAC | FLAC | Tracks (Cue&Log) ~ 1.1 Gb | Mp3 (CBR320) ~ 481 Mb | Scans ~ 77 Mb | 03:28:42
Bop, Hard Bop, Cool, Modal Jazz | Label: Documents/Membran | # 223215-354

4 CD Set, 32 tracks, 36-page booklet. Documentation in German, English, French, Spanish and Italian. Ice and fire they were: a two-horned paradox. Offstage, one was quiet, pensive, self-critical to a fault, practising obsessively. The other was cocksure, demanding; running with friends rather than running scales. But on the bandstand and on record, they reversed roles. John Coltrane, with saxophone in hand, became the unbridled one: long-winded, garrulous. When Miles Davis raised his trumpet, he played the sensitive introvert, blowing brief, hushed tones, exuding vulnerability. Their names now command reverence, and rarely induce less than eulogy. The music they created together during an almost five-year union still resonates, entrances, influences and sells, sells, sells.
Miles Davis & Gil Evans - The Complete Columbia Studio Recordings (1996) {6 CD Boxset Columbia CXK 67397 rec 1957-1968}

Miles Davis & Gil Evans - The Complete Columbia Studio Recordings (1996) {6 CD Boxset Columbia CXK 67397 rec 1957-1968}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 2.47 Gb | MP3 @320 -> 1.02 Gb
Full Artwork @ 300 dpi (png) -> 671 Mb | 5% repair rar
© 1957-68, 1996 Sony Music / Legacy / Columbia | CXK 67397 | Super Bit Mapping
Jazz / Cool / Modern Creative / Experimental Big Band

THE COMPLETE COLUMBIA STUDIO RECORDINGS compiles all of Miles Davis' collaborations with composer/arranger Gil Evans. Included are the original and alternate versions of the four albums that Davis and Evans made together–MILES AHEAD, PORGY AND BESS, SKETCHES OF SPAIN and QUIET NIGHTS–as well as various outtakes and unreleased tracks. More than half of the material is previously unreleased. THE COMPLETE COLUMBIA STUDIO RECORDINGS won 1997 Grammy Awards for Best Historical Album, Best Album Notes (by George Avakian, Bob Belden, Bill Kirchner and Phil Schaap), and Best Recording Package - Boxed.
Miles Davis' All Stars - Walkin' (1957/2016) [Official Digital Download 24bit/192kHz]

Miles Davis' All Stars - Walkin' (1957/2016)
FLAC (tracks) 24 bit/192 kHz | Time - 37:53 minutes | 826 MB
Studio Mono Master, Official Digital Download | Artwork: Digital booklet

Walkin', now considered one of the earliest essential albums in the Miles Davis canon, comprises two classic 1954 sessions: one with a quintet; the other a sextet. The influential sextet session, featuring trombonist J.J. Johnson and Lucky Thompson on sax, took advantage of long-playing record technology with two extended jams that announced both the return of modern jazz musicians to a focus on the blues and the coming of the funky hard bop era. The quintet date, with underground legend Davey Schildkraut on alto sax, provides the first inkling of the trumpeter’s haunting muted style and introduces his classic composition Solar.

Miles Davis & Stan Getz - Move (2003) {Dynamic}  Music

Posted by tiburon at Jan. 27, 2018
Miles Davis & Stan Getz - Move (2003) {Dynamic}

Miles Davis & Stan Getz - Move (2003) {Dynamic}
EAC 1.3 | FLAC tracks level 8 | Cue+Log+M3U | Scans 300dpi | 296MB + 5% Recovery
MP3 CBR 320 Kbps | 173MB + 5% Recovery
Genre: Bop, Cool

Live in Birdland! This is a good recording of a great show! (may actually be a complilation of several shows) It's really fun to hear the announcments of the next number that are apparently for radio audience. The sound quality is quite good considering the year (1952-3) and the band really swings during classics like 'Lullaby of Birdland', 'Stella by Starlight' and 'How High the Moon'.
Miles Davis - Kind of Blue (1959) {CBS Japan, 35DP-62, Early Press, CSR stamped, Full Scan rel 1983}

Miles Davis - Kind of Blue (1959) {CBS Japan, 35DP-62, Early Press, CSR stamped, Full Scan rel 1983}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 268 Mb | MP3 @320 -> 106 Mb
Full Artwork @ 600 dpi (png) -> 98 Mb | 5% repair rar
© 1959, 1983 CBS / Sony Japan | 35DP-62
Jazz / Hard Bop / Cool / Modal Music / Trumpet

What can we say? This is the ultimate Miles Davis album – the one that includes so many songs that we've heard way too much in Starbucks, in retail stores, or at a friend's house who claims to be a "jazz expert", but is really a yuppie dilettante. Yet somehow, over all the years, and all those playings, the record manages to still sound fantastic – a truly inspirational piece of music that's long deserved all the attention it gets! The legendary group on the album includes John Coltrane on tenor, Cannonball Adderley on alto, Bill Evans on piano, and Paul Chambers on bass – working with Miles in a relatively modal style, with brilliant rhythm changes and a wonderful sense of space.
Miles Davis - Steamin' With The Miles Davis Quintet (1961) [APO Remaster 2014] SACD ISO + Hi-Res FLAC

Miles Davis - Steamin' With The Miles Davis Quintet (1961) [Analogue Productions '2014]
SACD Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 40:12 minutes | Front/Rear Covers | 1,13 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Front/Rear Covers | 799 MB

These songs were taken from sessions recorded over two days in the mid 1950s but held back for release until 1961. In 1956 Davis was about to jump to another record company but still owed his former label several albums, so he spent two long days in the studio with his first great quintet recording familiar material that would eventually yield four albums. Due to the speed with which these songs were recorded, they have a loose, spontaneous feel with the energy of a live concert rather than a recording session.