Authenticity of Foods of Animal Origin

Authenticity of Foods of Animal Origin (Food Biology Series)

Authenticity of Foods of Animal Origin (Food Biology Series) by Ioannis Sotirios Arvanitoyannis
2016 | ISBN: 149870641X | English | 334 pages | PDF | 8 MB

Sensory Analysis of Foods of Animal Origin (repost)  

Posted by libr at Aug. 21, 2014
Sensory Analysis of Foods of Animal Origin (repost)

Sensory Analysis of Foods of Animal Origin by Leo M.L. Nollet and Fidel Toldra
English | 2010 | ISBN: 1439847959 | 456 pages | PDF | 13,6 MB

Safety Analysis of Foods of Animal Origin (repost)  

Posted by interes at June 29, 2014
Safety Analysis of Foods of Animal Origin (repost)

Safety Analysis of Foods of Animal Origin by Leo M.L. Nollet and Fidel Toldra
English | 2010 | ISBN: 1439848173 | 1002 pages | PDF | 19,2 MB

We cannot control how every chef, packer, and food handler might safeguard or compromise the purity of our food, but thanks to the tools developed through physics and nanotech and the scientific rigor of modern , food industry and government safety regulators should never need to plead ignorance when it comes to safety assurance.

Safety Analysis of Foods of Animal Origin (repost)  

Posted by arundhati at Sept. 28, 2013
Safety Analysis of Foods of Animal Origin (repost)

Leo M.L. Nollet, Fidel Toldra, "Safety Analysis of Foods of Animal Origin"
2010 | ISBN: 1439848173 | 1002 pages | PDF | 19,2 MB

Sensory Analysis of Foods of Animal Origin  

Posted by interes at July 27, 2013
Sensory Analysis of Foods of Animal Origin

Sensory Analysis of Foods of Animal Origin by Leo M.L. Nollet and Fidel Toldra
English | 2010 | ISBN: 1439847959 | 456 pages | PDF | 13,6 MB

When it comes to food selection, consumers are very reliant on their senses. No matter the date on a carton of milk or the seal on the package of meat, how that milk smells and the color of that meat are just as critical as any official factors. And when it comes to meal time, all the senses must conspire to agree that taste, smell, color, and texture are appealing.
A Portrait of State-of-the-Art Research at the Technical University of Lisbon [Repost]

A Portrait of State-of-the-Art Research at the Technical University of Lisbon by Manuel Seabra Pereira
English | Nov 19, 2010 | ISBN: 9048174309, 1402056893 | 621 Pages | PDF | 13 MB

This book celebrates the 75th anniversary of The Technical University of Lisbon (UTL). It provides a compelling picture of current state-of-art research at UTL. It contains the edited version of the invited lectures from a two day Symposium and brings together a comprehensive summary of high quality research contributions across basic and applied sciences.
Complements of Discriminants of Smooth Maps: Topology and Applications (Translations of Mathematical Monographs, Book 98)

Complements of Discriminants of Smooth Maps: Topology and Applications (Translations of Mathematical Monographs, Book 98) by V. A. Vassiliev
English | 1992 | ISBN: 0821846183 | ISBN-13: 9780821846186 | 265 pages | PDF | 2,8 MB

This book studies a large class of topological spaces, many of which play an important role in differential and homotopy topology, algebraic geometry, and catastrophe theory. These include spaces of Morse and generalized Morse functions, iterated loop spaces of spheres, spaces of braid groups, and spaces of knots and links.
VFW - The Magazine of Veterans of Foreign Wars (February 2010)

VFW - The Magazine of Veterans of Foreign Wars (February 2010, Vol. 97 No. 5)
English | February 2010 | 56 pgs. | PDF | 59MB


CONTENTS:
A Unique Rehab Unit (VA medical center, Augusta, Georgia)
An Expanding VA Safety Net (outpatient clinic in Mount Vernon, Missouri)
Debunking the Myth of the 'Addicted Army' (Vietnam veterans)
Partners in Patriotism (Boy Scouts of America)
VFW: Employing Young Vets for the Future
A Final Salute (Afghanistan and Iraq Wars Honor Roll)
Animal Allies Achieve Martial Acclaim
Fleetwood Mac – “1-2-3” - Fleetwood Mac - Mr. Wonderful - The Pious Bird of Good Omen – 3-CD Box

Fleetwood Mac – “1-2-3” – 01. Fleetwood Mac (1968) – 02. Mr. Wonderful (1968) – 03. The Pious Bird Of Good Omen (1969) (3-CD Box)
Columbia | 1968-1969 | Blues | EAC RIP | FLAC+CUE+LOG+HQ-Covers (400Dpi) | 01. 233+13Mb 02. 248Mb+25Mb 03. 215Mb+12Mb

The Blues has always been popular in England. Performers like Screamin' Jay Hawkins, Howlin' Wolf and even Freddie King and Bo Diddley were stars in England before making it big in their own country. When John Mayall formed the Bluesbreakers it was out of respect and admiration to those performers; and he's stayed with the blues, cultivating a number of fine young blues musicians including guitarists Eric Clapton and Peter Green. After Clapton left Mayall, moving on to form Cream, Peter Green replaced him. Now Green has formed his own group, Fleetwood Mac (along with another former Bluesbreaker, bassist John McVie).
Whereas Clapton expanded onto new horizons with Cream, Green has chosen to remain dedicated to the blues, and on this, their first recorded effort, Fleetwood Mac have established themselves as another tight English blues band—joining Mayall's Bluesbreakers, Ten Years After and Savoy Brown as chief practitioners of blues in England.
Green, like Mayall, has studied the records and performances of Howlin' Wolf, Memphis Slim, Junior Wells and Elmore James carefully. The piano riffs on "Hellbound on My Trail" are lifted directly from Slim's classic "If You See Kay," but it's done well, if perhaps a little too self-consciously. Fleetwood Mac (the name is a combination of the names of members of the group), know what they're doing, they dig the music they're playing and that's great—but the drawback here is that they don't put enough of themselves into it instead of what they've heard from the original artists.
Green is a more than competent guitar player, and the Mac's treatment of "Shake Your Moneymaker" is just as powerful as the first Butterfield version (on the Paul Butterfield Blues Band album). The harp work is proficient in most places but rather weak on "Got to Move," the old Sonny Boy Williamson song. Green's composition "Long Grey Mare" is one of the best cuts on the album, anchored by McVie's strong bass line. The record has a strange, prematurely vintage (if there can be such a thing) sound to it, like an old classic recording made in the late Forties or early Fifties.
Like most modern white bluesmen, Fleetwood Mac try very hard to live the kind of music they play—not picking cotton in the Delta, but maintaining the hard-life blues tradition, gigging at small clubs in Northern England and in scruffy halls in the East End. Their music retains an unaffected rough quality. They play well, and if it sounds a little scratchy at times it's because that's the way they happen to feel at that particular moment. The licks they've copied from other performers are natural enough—it's more of a tribute than an imitation.
The English continue to prove how well into the blues they really are, and know how to lay it down and shove it back across the Atlantic. Fleetwood Mac are representative of how far the blues has penetrated—far enough for a group of London East-Enders to have cut a record potent enough to make the South Side of Chicago take notice.
Grievance Administration (Sikayet) in an Ottoman Province: The Kaymakam of Rumelia's 'Record Book of Complaints' of 1781-1783

Grievance Administration (Sikayet) in an Ottoman Province:
The Kaymakam of Rumelia's 'Record Book of Complaints' of 1781-1783 by Michael Ursinus

RoutledgeCurzon | April 2005 | ISBN: 0415358876 | 190 pages | PDF | 11.2 MB

The 'Record Book of Complaints', from the office of the governor-general (beylerbey) of Rumelia, is an exceptional manuscript of the Ottoman archive. It offers a unique insight into the experience of Ottoman administration in the most important province of Ottoman Europe, Rumelia. For the first time, this important document has been translated into English and its original facsimile is reproduced. Additionally, the author provides a concise introduction to the historical context of the 'Record Book of Complaints'.