Reissue with the latest remastering. One of the hardest, heaviest albums that Ray Bryant ever cut – even on the ballads – a monster little record that grabs you from the very first note! Ray did the arrangements for this one himself – working with his core trio that featured Ron Carter on bass and Grady Tate on drums, and adding in a twin-trumpet frontline that cooks the groove over the top with a really righteous sound!
The Atomic Fireballs were formed in Detroit in 1996 by John Bunkley and James Bostek. The two of them met when Bostek's wife was working with Bunkley and introduced them. Although the group plays their own brand of high-energy swing music, they list their influences to be as far ranging as Louis Jordan and Black Flag. The lineup of the group is Bostek on trumpet, Bunkley on vocals, Tony Buccilli playing trombone, Duke Kingins on guitar, Shawn Scaggs on double bass, Eric Schabo wailing tenor sax, and Randy Sly on piano. Their first album was the self-released Birth of the Swerve (1998). The album was good enough to garner the interest of major labels. That meant that the follow-up, 1999's Torch This Place, was not an independent release but rather on Atlantic.
Two gems from The Undisputed Truth – back to back in a single package. First up is Method To The Madness – a killer classic from the second chapter of the Undisputed Truth – that time when the group stepped away from their Motown home, and followed producer/creator Norman Whitfield to his own label in California. The shift of record companies also marks a cool shift in styles too – an approach that still has all the bold, bassy elements you'd know from the earlier hits – but one that also has some fuller, more cosmic elements too – which are hinted at by the image on the cover.
Atomic Rooster experienced several lineup changes during their initial tenure in the early '70s, with Nice 'n' Greasy being the band's last before disbanding. By this time the band's musical direction had shifted from hard rock and progressive rock to a style more closely resembling blues/funk…
Both Volumes I and II of Jazz-Funk Guitar on one DVD. In Volume I, John's multi-faceted style is covered in depth as he discusses intervallic ideas, string-skipping, chordal concepts, playing ideas across the fingerboard, and developing a personal sound. In Volume II, John covers the compositional aspect of his style as he analyzes the songs performed on this DVD and reveals the correct chord voicings and melody lines. Using his own tunes, John goes over concepts such as chromaticism, form, contour, voice-leading, pedal tones, and contrary motion.