GRAMOPHONE Magazine Editor's Choice - October 2015.The Artemis Quartet pairs Brahms’ intense first quartet with his lighter-spirited third quartet, both works that the Artemis’ cellist, Eckart Runge, describes as “remarkable and multi-faceted”. He says that “Brahms marries a Romantic spirit with the structure and forms of Classicism. There is an almost symphonic approach in the writing, but at the same time the quartets are imbued with a sense of warmth, immediacy, friendship and love that is interwoven with a more spiritual, timeless beauty”.
The twelve song collection of cuts presents a new generation of prog artists. Mystery, Big Big Train, The Pineapple Thief, No-Man, Panic Room, Mostly Autumn, Manning and more.
Following the Artemis Quartet‘s prizewinning Beethoven Quartet cycle on Virgin Classics, the Berlin-based ensemble has recorded Schubert’s last three quartets, works that Artemis cellist Eckart Runge praises for both their “incredible simplicity and purity” and their “almost terrifying modernism”. Awarded both Germany‘s prestigious Klassik ECHO award and France’s Grand Prix de l’Académie Charles Cros in 2011 for their Virgin Classics Beethoven cycle, the members of the Artemis Quartet now release an all-Schubert CD. It presents the composer’s final three string quartets: No 13 in A minor, ‘Rosamunde’ (which draws on his incidental music for Helmina von Chezy’s play Rosamunde); No 14 in D minor, ‘Death and the Maiden’ (with its haunting second movement based on his song Der Tod und das Mädchen), and No 15 in G major.
EMI Classics pianist Leif Ove Andsnes and Virgin Classics' string quartet, the Artemis, have joined their formidable musical forces to record two of the most beautiful piano quintets of the Romantic chamber music repertoire. Their collaboration makes for what will certainly be considered a landmark recording, bringing a new vigour to these well-known masterpieces. The programme couples 2 major piano quintets by Brahms and Schumann. Brahms' Piano Quintet in F minor Op.34 is the composer's only piano quintet and is considered one of his finest compositions. The work began life as a string quintet, later evolving into a sonata for two pianos, before taking its final form in 1866. Of Schumann's Piano Quintet in E Op 44, Clara Schumann, who premiered it said: "A glorious piece, extremely brilliant and effective. Schumann's sole composition for piano quintet was composed in 1842, a year practically devoted to the composition of chamber works for piano and strings.