This is a true classic. Altoist Art Pepper is joined by an 11-piece band playing Marty Paich arrangements of a dozen jazz standards from the bop and cool jazz era. Trumpeter Jack Sheldon has a few solos, but the focus is very much on the altoist who is in peak form for this period…
By most standards a "little" big-band album, this set carried the bebop canon, such as it was, into the realm of California cool jazz, using Art Pepper's chops on milky tenor and sharp alto saxophones alongside plush arrangements from Marty Paich. There were key links on this session to the Miles Davis nonet's Birth of the Cool a decade earlier, which opened with the same Denzil Best tune. ~ Amazon
The best modern jazz classics are revisited in the Original Jazz Classics Remasters series. Each title in the series features 24-bit remastering, original AND new liner notes, fully restored artwork, and bonus tracks (when available).
Wes Montgomery began his incredible series of recordings for Riverside in the organ trio context that he employed on gigs in his native Indianapolis. After a series of acclaimed albums featuring pianists, Montgomery ended his Riverside run by reuniting with Hammond B-3 master Melvin Rhyne on several sessions. The first, Boss Guitar, featured Jimmy Cobb on drums, and the Miles Davis veteran (and future Montgomery working partner) inspired the guitarist and organist to their greatest recorded work together.
This 3-cd Art Pepper box (Mosaic Select #15) is about as hip as it gets, essential if you're into Pepper or mid-'50's West Coast jazz in general.
Mosaic is Michael Cuscuna's jazz collector label, well-known for limited edition collections re-mastered from original master tapes. If you're not familiar with the label, be assured that this is a professionally produced set of the highest quality. Be aware, too, that these sets do go out of print, so if this one looks like something you'll like, now's the time to pick it up. ~ Amazon
An epic 100 CD chronological documentation of the history of jazz music from 1898 to 1959, housed in four boxed sets. Each box contains 25 slipcase CDs, a booklet (up to 186 pages) and an index. The booklets contain extensive notes (Eng/Fr) with recording dates and line-ups. 31 hours of music in each box, totalling 1677 tracks Each track has been restored and mastered from original sources.
An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
Of the new releases issued under Art Pepper's name in 1980, So In Love was overall the finest. The altoist stretches out here on a program of standards and blues, backed by alternating rhythm sections from the East and West coasts. For this Analogue Productions DSD release, we didn't mess with perfection. Gus Skinas from the Super Audio Center produced New York Album and So In Love for DSD from flat transfers from the original analog master tapes that were remixed from the multi-track tapes and transferred to 2-track analog by Rik Pekkonen and John Koenig. For The Intimate Art Pepper Skinas authored the DSD tracks from the remaster by Kevin Gray and Steve Hoffman created for the 2003 Analogue Productions SACD reissue…