An extension of the popular Original Jazz Classics series (est. 1982), the new OJC Remasters releases reveal the sonic benefits of 24-bit remastering-a technology that didn't exist when these titles were originally issued on compact disc. The addition of newly-written liner notes further enhances the illuminating quality of the OJC Remasters reissues. "Each of the recordings in this series is an all-time jazz classic," says Nick Phillips, Vice President of Jazz and Catalog A&R at Concord Music Group and producer of the series.
This is a true classic. Altoist Art Pepper is joined by an 11-piece band playing Marty Paich arrangements of a dozen jazz standards from the bop and cool jazz era. Trumpeter Jack Sheldon has a few solos, but the focus is very much on the altoist who is in peak form for this period…
Reissue with the latest remastering. Features original cover artwork. Comes with a descripton in Japanese. The "Joe" here is Dutch tenorist Joe Van Enkhuizen, who's a great fit with a trio that features Horace Parlan on piano, Rufus Reid on bass, and Al Harewood on drums! The album's got that subtle approach that marks Parlan's later years – a less all-out style than his start on Blue Note, but one that's maybe even more rewarding if you're willing to let yourself slide into it – something that's easy to do when you've got Joe pointing the way with his well-blown, raspy-edged tenor! Reid is mighty nice too – with those instantly-deep notes that always grab us strongly when he's recorded this well – the sort of presence that most other bassists would need to be electric to reach. Titles include "Alfie's Theme", "Bluesville", "FSR", "Wadin", and "Willow Weep For Me".
Altoist Art Pepper, in the midst of a successful comeback, recorded this excellent set (also included in full in his massive Galaxy box set) for Galaxy. With pianist Stanley Cowell, bassist Cecil McBee and drummer Roy Haynes, Pepper performs a definitive version of his intense ballad "Patricia"; other highlights include "Miss Who," "Lover Come Back to Me" and "Chris' Blues." The CD reissue also has a second alternate version of "These Foolish Things".
BBE Records proudly presents its 5th and arguably most exciting compilation with the French dj and ambassador of disco, Dimitri from Paris. This compilation focuses on Dimitri’s essential disco era tracks - made in Philadelphia, that feature the core of the rhythm section that created and defined the sound of the genre. For this compilation Dimitri has exclusively reworked 5 tracks from the original multitrack tapes of Gamble and Huff with a further 4 being edited from the original 2 track stereo masters.
One of the hippest Milt Jackson albums of the 60s – a set that definitely lives up to its Museum Of Modern Art setting! The performance is one of the most famous from that museum's well-remembered series of 60s jazz concerts – and it features Milt Jackson's quintet really stretching out nicely – hitting sharper tones and bolder notes than in some of their other sessions of the decade, and possibly picking up a freer feel overall in the live setting. Milt's vibes are wonderfully accompanied by the reeds of Jimmy Heath and piano of Cedar Walton – both players who mix soul and modern elements in the same sort of perfect blend that Jackson hits. And the rhythm section is tightly snapping and soulful – never too groove-oriented, but always conscious of a sense of a swing – thanks to bass from Ron Carter and drums from Candy Finch.
Smothered by the indulgence of his rock star ranking, Jack White steps into the eccentricities of the supergroup, and at first glance, this seems to be a band where White's imposing presence could overshadow the rest. Not the case with these Raconteurs. Teaming with fellow Detroit songwriter Brendan Benson and Jack Lawrence and Patrick Keeler, the rhythm section from Cincinnati band the Greenhornes, White exhales a bit, deferring enough to his mates to make Broken Boy Soldiers play like a team effort. Following the Benson blueprint, "Steady as She Goes," which opens as a slice of 1960's radio pop, the record steers away from pigeonholing the rest of the way. White's in a Middle Eastern mood for the title track as he pulls off a wicked Robert Plant howl, while Lawrence and Keeler excel on the chorus-strong "Intimate Secretary" and the optimistic acoustic rocker "Yellow Sun." Like so many all-star bands before them, The Raconteurs could be one and done. But don't place the blame on this fertile and genuine debut.
"Cool from the Wire" is Dirty Looks' studio album. It was released in 1988 on Atlantic Records. It includes the song "Oh Ruby", that received airplay on rock stations. The album peaked #134 in Billboard 200. Henrik Ostergaard has that whole Bon Scott sound down pretty darn close, and the rhythm section of former Harpo bassist Jack Pyers, drummer Gene Barnett could give AC/DC a run for their money. The 4 musicians on this CD are rock solid. This is one rocking recording, the best from Dirty Looks. If you have never listened to this album… you missed the boat in the mid 80's.