In 1970, the members of the Art Ensemble of Chicago were living as expatriates in Paris. The group had only recently expanded to its permanent quintet status with the addition of drummer/percussionist Don Moye when they were asked by New Wave director Moshe Misrahi to provide the soundtrack for his movie, Les Stances a Sophie. The music was never used in the film but, luckily, it was recorded. ~ AllMusic
Like the Art Ensemble of Chicago's outstanding '70s work, THE THIRD DECADE features scintillating chemistry between trumpeter Lester Bowie, multi-faceted reedmen Joseph Jarman and Roscoe E. Mitchell, bassist Malachi Favors, and drummer Don Moye, while demonstrating the Ensemble's unique, texture- and space-conscious approach to free jazz. The music here is surprisingly tonal, without sacrificing any of the group's trademark improvisatory energy or rhythmic and dynamic flexibility.
This recording, comprised of two complete Art Ensemble of Chicago albums – Les Stances a Sophie with singer Fontella Bass from 1970 and People in Sorrow from 1969 – offers two very different sides of the group's sound from this key period in their development. Recorded in France and released on the Nessa label in the United States, the two discs show how much in command the AEC were of their strengths even at that early date, though for the record it should be noted that with the exception of Don Moye and Lester Bowie, the trio of Roscoe Mitchell, Joseph Jarman, and Malachi Favors had been playing together since 1965…
Live in Berlin is a live album by the Art Ensemble of Chicago recorded in March 1979 and first released on the West Wind label in 1991. It features performances by Lester Bowie, Joseph Jarman, Roscoe Mitchell, Malachi Favors Maghostut and Don Moye.
The previous Art Ensemble of Chicago ECM album Nice Guys vaulted them to the top of improvised music groups in the U.S. and worldwide, paving the way for similar bands to be more accepted into the mainstream of modern music. Where "Full Force" generally lives up to the title, there's also a palpable diverse approach, producing more than enough potent music brimming from the sinews of these brilliant musicians to uphold their burgeoning cache.
Recorded at a 1980 concert in Munich, Urban Bushmen not only provides an excellent summation of the Art Ensemble of Chicago's work since 1966, but also substantiates the group's reputation for putting on intense and inspired shows. The album centers around three extended pieces: reed player Joseph Jarmen's "Theme for SCO," the group's "Urban Magic," and reed player Roscoe Mitchell's "Uncle."