In our era, when large record companies parade good-looking mediocrities before us as major artists, it is good to be reminded of the real thing. Martha Argerich, as this CD demonstrates, had everything: the looks, the temperament, and the technique. By her mid 20s, she already was a phenomenal artist.
Throughout her lengthy artistic career, pianist Martha Argerich has experienced many heights and depths: moments of "crisis" in which she hasn't always seemed prepared to offer the full extent of her artistic insights, but also many, many times when she has managed simultaneously to come into her own and to completely lose herself in music-making. Fortunately it's the latter snapshot of Argerich's career that this CD captures, drawing from two live recitals Argerich gave at Amsterdam's Concertgebouw in 1978 and 1979.
With her mind-blowing mix of heavy metal guitar prowess and bluesy, soulful vocals, Orianthi will draw some justifiably well-earned comparisons to such giants of rock guitar as Jimi Hendrix and her own idol, Carlos Santana, on her 2009 sophomore album, Believe – re-released in 2010 as Believe (II) with four different songs than the original version, including a cover of John Waite's "Missing You." That said, her style hews closer to the more finger-frenetic pyrotechnics of such '70s and '80s icons as Eddie Van Halen and Steve Vai…
Argentinian pianist Martha Argerich is widely regarded as one of the greatest pianists of the second half of the twentieth century. In celebration of her 75th birthday, Sony Classical is pleased to release Martha Argerich The Complete Sony Classical Recordings, a new 5-CD original jackets collection featuring two albums available for the first time on CD remastered from the original analogue tapes. Argerich rose to international prominence when she won the seventh International Chopin Competition in Warsaw in 1965 at age 24. In that same year, she debuted in the U.S. in Lincoln Center s Great Performers Series.
These three sonatas - composed originally for the viola da gamba and harpsichord - are very musically-appealing compositions. And unlike previous Baroque cahmber-music tradition, the harpsichord is not relegated to mere continuo but projected into the spotlight as co-soloist - perhaps to showcase some of Bach's keyboard virtuosity. There are several fine period recordings of these works on viola da gamba and harpsichord (Savall, Peri, Crum, Wispelwey) or modern cello with harpsichord (Ma, Tortelier). But if your taste favors all modern instuments (cello, piano), then this circa-80's CD by the legendary Martha Argerich and Misha Maisky is the ticket.