Maestros Arne Domnerus (saxophone) & Gustaf Sjokvist (organ) play Classical and jazz/spiritual duets (several associated with Maestro Duke Ellington). Considered to be one of the best recordings of saxophone performance in decades. Arne Domnerus, a living legend, is at the height of his mastery of the instrument. The sonic excellence brings heartfelt emotion to a listener, regarded by some as 'A record for life!'
…The disc of Ame Domnerus, because he is the main actor here, is equally quieted down, contemplating. But it is enough to hear a few notes to shout from the impression: I haven’t heard for a long time such phenomenally captured space, timbres and tonal balance. Even the recording from Garbarek, made by the unequalled ECM, does not come close to the Swedish recording. Or maybe this is the result of the K2 HD mastering? Possible, quite possible. Its signature can be heard – incredibly full, analog, creamy and “dense” sound, where the treble does not act on its own, but is only an elongation of the basic tone. Incredible!…
It is 1978 and Climax Blues Band is at the peak of its powers during a happy golden era when rock bands rule. They had hit the charts the previous year with funky single Couldn't Get It Right and they get it right on again with shiny new album Shine On . It features marvellous performances from a classic Climax line up with Peter Haycock at the helm on lead guitar and vocals. Peter is joined by Colin Cooper, the deep toned vocal-meister and superb alto sax player. They are boosted by a super tight rhythm section comprising Derek Holt (bass) and John Cuffley (drums). Climax romp through eight raunchy tracks, including Makin Love (released as a single and available here as a bonus track) and the stomping boogie Champagne & Rock n Roll . A cover of Tony Joe White's The Gospel Singer comes complete with soulful backing vocalists. Okay, so it s not 1978 anymore, but more than thirty years later, the music still sounds great and Climax rule one more time on this sought-after CD, complete with informative liner notes.
Multiple platinum winner, hit songwriter and producer Lee Aaron presents her new album “Diamond Baby Blues”. The classic hard rock and heavy blues album features 12 new recordings anchored in the tradition of the musical giants of the late 60s and 70s. The heavy riff “Diamond Baby”, the epic ballad “The Best Thing” and the glam rock pounding “American High” mix effortlessly with the creative reinterpretations of Deep Purple’s “Mistreated”, the Koko Taylor hymn “I’m a woman “and a surprising Rolling Stonesmoderate interpretation of Janet Jackson’s” Black Cat. ” The album, recorded together with the canadian rock legend John Webster, is a prime example of ther signature mix of powerhouse vocals, great guitars, organic keyboards and a rhythm section that rocks as hard as it rocks. If there is one line from “Diamond Baby Blues” that could best describe the artist, vocalist, songwriter, producer, creator and interpreter the world has come to know and love as Lee Aaron, it might be “I’m a Woman…I can cut stone with a pin”.
Blues-Rock with a touch of funk and soul. Digging in the blues, inspiring lyrics, female backing vocals and electric guitar solos. The song BACK TO THE DIRTY TOWN today is a worldwide classic of the fans of blues and Blues Rock. On countless playlists, on YouTube, on Spotify and radio stations this song is heard by tens of thousands of people daily. The Blues Mystery live have been titled as “the blues that makes you happy”. With their unique own style, they've mainly been playing festivals and clubs in Switzerland, Germany and France. Influenced by greats like Eric Clapton, Buddy Guy, Muddy Waters or James Brown, they compose very song oriented as for example Fleetwood Mac, ZZ Top or the Rolling Stones do, they’re not stuck to the 12 bar Blues. They've released their first album THE BLUES MYSTERY in 2013, the second one called DIESEL ROCK in 2015. Since end of 2017 they’ve launched THE BLUES MYSTERY TV, giving dynamics to their YouTube channel, the first show launched was “Walter’s Blues & Rock Talk”.
Taking inspiration from Charlie Christian and Lonnie Johnson, T-Bone Walker plays with an exceptionally elegant and relaxed style, the perfect foil for Charles Brown's piano. An innovator of this caliber could only spark emulation. T-Bone Walker's influence can be heard in B.B. King, Clarence "Gatemouth" Brown or Buddy Guy. Even Jimi Hendrix confessed his indebtedness. Today guitarists, like Duke Robillard, Pete Mayes or Otis Grand, still perpetuate his legacy. In 1962 he toured with the very first American Folk Blues Festival (with John Lee Hooker). T-Bone Walker subsequently performed in Europe on a regular basis, with a marked preference for France. In November 1968, Black & Blue took advantage of one of his tours to have him record the album "Feelin’ The Blues," rightly considered to be one of the best he made at the end of his career. We thought it appropriate to add a few titles from his sessions with Jay McShann and Eddie Vinson, recorded a few months later while T-Bone was doing a stint at the Trois Mailletz club in Paris. T-Bone Walker is surely the most jazzy blues musician, while McShann and Vinson are among the most bluesy jazz musicians! It was impossible for this confrontation to produce anything but success.
Now available on CD in Digipak format. Released for short time in 1993 on the indie HTD label and hard to find. Recorded at The Attic Bar in Stafford in September 1992, before an ecstatic home-town crowd. Only their second live album after 1974's iconic FM Live and of comparable quality. Features definitive Nineties line up of Colin Cooper, Lester Hunt, George Glover, Neil Simpson and Roy Adams. Contains long-time set opener Fool For The Bright Lights , their biggest hit single Couldn't Get It Right and classics Chasing Change and The Movie Queen . Band play on today with frontman Johnny Mars replacing the late Colin Cooper, and most of this repertoire survives in their set. Booklet with authoritative and extensive liner notes written by respected Record Collector journalist Michael Heatley. Expertly remastered superb sound - top quality reproduction. The best in the business!
This amazing ex-Robert Plant axeman at last on a UK label and playing the Blues. He appeared on a sell-out stage at the 2006 Great British R&B Festival where he amazed the audience with his wonderful and emotive playing. A superb album full of Innes exciting and innovative guitar playing at its best with the songs recorded "live" without much overdubbing. His playing is really varied from some head up blistering solos as in So Tired of Living, to the jazzy Desert Rain, there's a funky Natural High, even an acoustic track on Midlife Crisis. Innes Sibun is a British blues singer, songwriter and guitarist. He has released eleven albums to date.
Now available on CD in Digipak format. Released for short time in 1988 on an indie label and hard to find. Comeback album after a five-year hiatus, with guitarist Lester Hunt impressively replacing co-founder Peter Haycock. Also features core trio of Colin Cooper, Lester Hunt, and George Glover, plus soon-to-be Status-Quo rhythm section of Jeff Rich and John Rhino Edwards. Revisits their smash hit single Couldn't Get It Right and long-time set opener Fool For The Bright Lights among 10 impressive blues-rock tracks. The band play on today with frontman Johnny Mars replacing late Colin Cooper. Booklet with authoritative and extensive liner notes written by respected Record Collector journalist Michael Heatley. Expertly re-mastered superb sound - top quality reproduction. The best in the business!