On Deutsche Barocklieder, Harmonia Mundi's outstanding imprint Les Nouveaux Musiciens introduces German soprano Annette Dasch in a recital of German Baroque songs. Not one of these 18 selections is familiar, and that is good; it is an overlooked area of the repertory consisting of a monumental amount of material.
This trio date is dedicated to the music of Annette Peacock, former wife of both pianist Paul Bley and bassist Gary Peacock. While Bley is the undisputed leader on this date (as he has recorded many of these pieces before), it is flügelhorn and trumpet player Franz Koglmann who arranged them in such an exquisite manner. The majority of the pieces included here were originally composed as songs. They were vehicles for expressing the interior, haunted world that Ms. Peacock inhabits and featured her lilting, edgy voice, which slips and slithers through her deceptively simple melodies before erupting into a shriek of ecstasy or pain.
Annette. To legions of Mickey Mouse Club fans she was magic. Chosen by Walt himself as an original cast member, Annette soon became the most popular Mousketeer and was given a daily series of her own. Showcased here is the entire fish-out-of-water series, about an innocent girl from the country who moves to the suburbs to live with her well-to-do aunt and uncle. Airing during the third and final season of The Mickey Mouse Club, the 20-episode series was unlike earlier series – it featured original music including the song that helped launch Annette's music career. Enriching this celebration of Annette are the two complete Mickey Mouse Club episodes that introduced and concluded the series, plus a new tribute to her remarkable career and more. Featuring exclusive introductions by film historian Leonard Maltin, this is a timeless collection from generations past for generations to come.