Annette Peacock X Dreams

Marilyn Crispell, Gary Peacock, Paul Motian - Nothing Ever Was, Anyway: The Music of Annette Peacock (2CD) (1997)

Marilyn Crispell, Gary Peacock, Paul Motian - Nothing Ever Was, Anyway: The Music of Annette Peacock (2CD) (1997)
EAC Rip | FLAC (image+.cue, log) ~ 241.28 Mb (CD1) + 214.02 Mb (CD2) | 1:27:37 | Cover
Contemporary Jazz, Free Jazz | Label: ECM Records ‎– ECM 1626/27

This double CD is a performance of and tribute to the work of iconoclastic composer/songwriter/poet Annette Peacock. Ms. Peacock is a marginal figure, largely because of her own stubborn muse. She has, nonetheless, proved to be indispensable to the development of the music of both her ex-husbands, bassist Gary Peacock and pianist Paul Bley (both of whom, along with trumpeter Franz Koglmann, recorded another collection of her tunes called Annette on the Hat Art label in 1992). What makes this music so special is the pianism of Marilyn Crispell, usually associated with fiery improvisations and raucous solo and trio dates, with the music of Anthony Braxton. Peacock and Motian have played in restrained, quiet, mysterious bands for years, either with Paul Bley, John Surman, Bill Frisell, or any number of other ECM stalwarts.

Annette Peacock - an acrobat's heart (2000) ECM 1733  Music

Posted by satikin at May 14, 2008
Annette Peacock - an acrobat's heart (2000) ECM 1733

Annette Peacock-an acrobat's heart (2000) ECM 1733
FLAC 263Mb | mp3 (HQ VBR -V0 ~224kbps) 89.8 MB
Jazz | Playtime 61:14 | Artwork

Annette Peacock has been a defining influence on the music of ECM for many years, but An Acrobat's Heart is the first album she has made for the label as a leader. Here Peacock turns away from her previous work with electronic elements to produce a spare, ethereal set of compositions for voice, piano, and strings echoing the style of her early '80s album Skyskating. An Acrobat's Heart also marks the first time that Peacock has composed for strings, and the Cikada String Quartet's seamless accompaniment almost breathes with her. Silence and minimalism play major roles in this work, and both Peacock's voice and the accompanying instrumentation seem to bloom up from the quiet background and then dissipate again as quickly they appeared. The tones are clear and precise, but occasionally veer into dissonance as Peacock's wistful lyrics are fleshed out into holograms of sound, transparent but fully realized. Elements of jazz, blues, and torch songs ebb and flow throughout the album, adding to the nostalgic themes of romance and longing embodied by the lyrics. While seeming deeply personal, the lyrics are the weakest element of An Acrobat's Heart, lacking in the kind of poetic imagery and rhythm that would place them on a par with the quality of the surrounding music. Overall, however, this album proves that after over three decades as a performer, Annette Peacock still has the skill to compose and execute truly beautiful music.
Paul Bley, Franz Koglmann, Gary Peacock - Annette (1992) {hatOLOGY 564 rel 2001}

Paul Bley, Franz Koglmann, Gary Peacock - Annette (1992) {hatOLOGY 564 rel 2001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 151 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1992, 2001 HAT HUT Records | hatOLOGY 564
Jazz / Avant-Garde Jazz / Modern Jazz / Piano

This trio date is dedicated to the music of Annette Peacock, former wife of both pianist Paul Bley and bassist Gary Peacock. While Bley is the undisputed leader on this date (as he has recorded many of these pieces before), it is flügelhorn and trumpet player Franz Koglmann who arranged them in such an exquisite manner. The majority of the pieces included here were originally composed as songs. They were vehicles for expressing the interior, haunted world that Ms. Peacock inhabits and featured her lilting, edgy voice, which slips and slithers through her deceptively simple melodies before erupting into a shriek of ecstasy or pain.
Bley-Peacock Synthesizer Show - Revenge: The Bigger The Love The Greater The Hate (1971)

Bley-Peacock Synthesizer Show - Revenge: The Bigger The Love The Greater The Hate (1971)
MP3 CBR 320kbps | RAR | 86 mb
Genre: jazz, psychedelic rock, blues rock, avant-garde rock, experimental rock

Revenge: The Bigger The Love The Greater The Hate is the 1971 album by husband/wife duo Paul Bley and Annette Peacock, credited here as Bley-Peacock Synthesizer Show. Some of the people joining them on this album include Thomas Cosgrove, Steve Haas, Rick Marotta, and Glen Moore.
Marilyn Crispell / Gary Peacock / Paul Motian - Amaryllis (2001) {ECM 1742} [Re-Up]

Marilyn Crispell / Gary Peacock / Paul Motian - Amaryllis (2001) {ECM 1742}
EAC 0.95pb5 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 300dpi | 327MB + 5% Recovery
Genre: Jazz

The gathering of this trio in February of 2000 guaranteed little except that they had demonstrated ably – on Nothing Ever Was Anyway: The Music of Annette Peacock – the ability to play together almost symbiotically. This follow-up attempts to extend the trio's reach across Peacock's music and into the terrain of the trio as an entity in and of itself. That said, not all the pieces here are new; in fact, some of them are decades old – Marilyn Crispell's "Rounds" is from 1981, Gary Peacock's "Voices of the Past" and "December Greenwings" are both from the early '80s, and Paul Motian's "Conception Vessel/Circle Dance" is from the early '70s. The trio brings to these vintage pieces not only new eyes, but the freshness of this relationship and the willingness to reinvent them.

Paul Bley - Paul Bley With Gary Peacock (1970)  Music

Posted by astadiala at Nov. 14, 2009
Paul Bley - Paul Bley With Gary Peacock (1970)

Paul Bley - Paul Bley With Gary Peacock (1970)
EAC rip | FLAC (separate tracks) | Log+Cue | Full Scans (300 dpi)
Genre: Jazz| Label: ECM 1003 | Released: April 1963
VA - Christmas Chill Lounge: Winter Moments For The X-Mas Time (2017)

VA - Christmas Chill Lounge: Winter Moments For The X-Mas Time (2017)
MP3 CBR 320 kbps | 1:47:21 | 246 Mb
Genre: Ambient, Chillout / Label: Freebeat Music Records

Freebeat Music Records Presents Christmas Chill Lounge: Winter Moments For The X-Mas Time album 22 original hits and the original artists. Includes tracks by Area 42, Soundset City, Velvet Dreamer, Frank Doberitz, Lebensart, Buddhatronic and more.
Leo Kottke - Dreams And All That Stuff (1974) {BGO Records BGOCD132 rel 1992}

Leo Kottke - Dreams And All That Stuff (1974) {BGO Records BGOCD132 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 166 Mb | MP3 @320 -> 72 Mb
Full Artwork @ 600 dpi (jpg) -> 49 Mb | 5% repair rar
© 1974, 1992 Capitol / BGO Records | BGOCD132
Contemporary Folk / Finger-Picked Guitar / Progressive Folk / Jazz Blues / New Acoustic

Kottke's sixth official album is a dazzling array of pieces, some wistfully romantic ("Mona Ray"), others savagely witty ("When Shrimps Learn to Whistle"), and still others downright folksy ("Bill Cheatham"), with accompaniments of varying shapes and types, from dobro to synthesizer and piano.
David Orlowsky, Vogler Quartet - Mozart: Klarinettenquintett, Golijov: The Dreams and Prayers of Isaac the Blind (2010)

David Orlowsky, Vogler Quartet - Mozart: Klarinettenquintett, Golijov: The Dreams and Prayers of Isaac the Blind (2010)
EAC | FLAC (image+.cue, log) | Covers Included | 01:02:33 | 300 MB
Genre: Classical | Label: Sony Classical | Catalog: 88697782392

This pair of clarinet quintets from the revivified Sony Classical label presents a performer and a composer who have both been shaped by Jewish vernacular materials, and the combination delivers everything you hope it will. Osvaldo Golijov's Dreams and Prayers of Isaac the Blind was composed 1994, before this Argentine composer entered a period of sustained popularity. Unlike his later riotously genre-crossing style, this one focuses on his own Jewish musical background.
Gary Peacock - Voice From The Past - Paradigm (1982/2016) [Official Digital Download 24/192]

Gary Peacock - Voice From The Past: PARADIGM (1982/2016)
FLAC (tracks) 24-bit/192 kHz | Time - 49:59 minutes | 1,73 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Bassist Gary Peacock's 1982 album Voice From The Past - Paradigm, called "landmark" by All About Jazz, draws inspiration from the energetic music Peacock was playing in New York City in the early 1960s. Jan Garbarek, in some of his finest performances ever recorded, evokes the aura of that era in emotionally powerful exchanges with Tomasz Stanko.