Annette Peacock X Dreams

Marilyn Crispell, Gary Peacock, Paul Motian - Nothing Ever Was, Anyway: The Music of Annette Peacock (2CD) (1997)

Marilyn Crispell, Gary Peacock, Paul Motian - Nothing Ever Was, Anyway: The Music of Annette Peacock (2CD) (1997)
EAC Rip | FLAC (image+.cue, log) ~ 241.28 Mb (CD1) + 214.02 Mb (CD2) | 1:27:37 | Cover
Contemporary Jazz, Free Jazz | Label: ECM Records ‎– ECM 1626/27

This double CD is a performance of and tribute to the work of iconoclastic composer/songwriter/poet Annette Peacock. Ms. Peacock is a marginal figure, largely because of her own stubborn muse. She has, nonetheless, proved to be indispensable to the development of the music of both her ex-husbands, bassist Gary Peacock and pianist Paul Bley (both of whom, along with trumpeter Franz Koglmann, recorded another collection of her tunes called Annette on the Hat Art label in 1992). What makes this music so special is the pianism of Marilyn Crispell, usually associated with fiery improvisations and raucous solo and trio dates, with the music of Anthony Braxton. Peacock and Motian have played in restrained, quiet, mysterious bands for years, either with Paul Bley, John Surman, Bill Frisell, or any number of other ECM stalwarts.

Annette Peacock - an acrobat's heart (2000) ECM 1733  Music

Posted by satikin at May 14, 2008
Annette Peacock - an acrobat's heart (2000) ECM 1733

Annette Peacock-an acrobat's heart (2000) ECM 1733
FLAC 263Mb | mp3 (HQ VBR -V0 ~224kbps) 89.8 MB
Jazz | Playtime 61:14 | Artwork

Annette Peacock has been a defining influence on the music of ECM for many years, but An Acrobat's Heart is the first album she has made for the label as a leader. Here Peacock turns away from her previous work with electronic elements to produce a spare, ethereal set of compositions for voice, piano, and strings echoing the style of her early '80s album Skyskating. An Acrobat's Heart also marks the first time that Peacock has composed for strings, and the Cikada String Quartet's seamless accompaniment almost breathes with her. Silence and minimalism play major roles in this work, and both Peacock's voice and the accompanying instrumentation seem to bloom up from the quiet background and then dissipate again as quickly they appeared. The tones are clear and precise, but occasionally veer into dissonance as Peacock's wistful lyrics are fleshed out into holograms of sound, transparent but fully realized. Elements of jazz, blues, and torch songs ebb and flow throughout the album, adding to the nostalgic themes of romance and longing embodied by the lyrics. While seeming deeply personal, the lyrics are the weakest element of An Acrobat's Heart, lacking in the kind of poetic imagery and rhythm that would place them on a par with the quality of the surrounding music. Overall, however, this album proves that after over three decades as a performer, Annette Peacock still has the skill to compose and execute truly beautiful music.
Paul Bley, Franz Koglmann, Gary Peacock - Annette (1992) {hatOLOGY 564 rel 2001}

Paul Bley, Franz Koglmann, Gary Peacock - Annette (1992) {hatOLOGY 564 rel 2001}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 151 Mb
Full Artwork @ 300 dpi (jpg) -> 12 Mb | 5% repair rar
© 1992, 2001 HAT HUT Records | hatOLOGY 564
Jazz / Avant-Garde Jazz / Modern Jazz / Piano

This trio date is dedicated to the music of Annette Peacock, former wife of both pianist Paul Bley and bassist Gary Peacock. While Bley is the undisputed leader on this date (as he has recorded many of these pieces before), it is flügelhorn and trumpet player Franz Koglmann who arranged them in such an exquisite manner. The majority of the pieces included here were originally composed as songs. They were vehicles for expressing the interior, haunted world that Ms. Peacock inhabits and featured her lilting, edgy voice, which slips and slithers through her deceptively simple melodies before erupting into a shriek of ecstasy or pain.
Bley-Peacock Synthesizer Show - Revenge: The Bigger The Love The Greater The Hate (1971)

Bley-Peacock Synthesizer Show - Revenge: The Bigger The Love The Greater The Hate (1971)
MP3 CBR 320kbps | RAR | 86 mb
Genre: jazz, psychedelic rock, blues rock, avant-garde rock, experimental rock

Revenge: The Bigger The Love The Greater The Hate is the 1971 album by husband/wife duo Paul Bley and Annette Peacock, credited here as Bley-Peacock Synthesizer Show. Some of the people joining them on this album include Thomas Cosgrove, Steve Haas, Rick Marotta, and Glen Moore.
Marilyn Crispell / Gary Peacock / Paul Motian - Amaryllis (2001) {ECM 1742} [Re-Up]

Marilyn Crispell / Gary Peacock / Paul Motian - Amaryllis (2001) {ECM 1742}
EAC 0.95pb5 | FLAC tracks level 8 | Cue+Log+M3U+MD5 | Full Scans 300dpi | 327MB + 5% Recovery
Genre: Jazz

The gathering of this trio in February of 2000 guaranteed little except that they had demonstrated ably – on Nothing Ever Was Anyway: The Music of Annette Peacock – the ability to play together almost symbiotically. This follow-up attempts to extend the trio's reach across Peacock's music and into the terrain of the trio as an entity in and of itself. That said, not all the pieces here are new; in fact, some of them are decades old – Marilyn Crispell's "Rounds" is from 1981, Gary Peacock's "Voices of the Past" and "December Greenwings" are both from the early '80s, and Paul Motian's "Conception Vessel/Circle Dance" is from the early '70s. The trio brings to these vintage pieces not only new eyes, but the freshness of this relationship and the willingness to reinvent them.

Paul Bley - Paul Bley With Gary Peacock (1970)  Music

Posted by astadiala at Nov. 14, 2009
Paul Bley - Paul Bley With Gary Peacock (1970)

Paul Bley - Paul Bley With Gary Peacock (1970)
EAC rip | FLAC (separate tracks) | Log+Cue | Full Scans (300 dpi)
Genre: Jazz| Label: ECM 1003 | Released: April 1963

Gary Peacock Trio - Tangents (2017) [Official Digital Download 24/96]  Vinyl & HR

Posted by SERTiL at Oct. 11, 2017
Gary Peacock Trio - Tangents (2017) [Official Digital Download 24/96]

Gary Peacock Trio - Tangents (2017)
FLAC (tracks) 24-bit/96 kHz | Time - 53:05 minutes | 940 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Some of Gary Peacock’s finest music has been made in piano trios. Early in his musical life, Peacock established a fresh role for the bass as an independent melodic voice, a concept carried forward in the history-making groups he’s played with – from Paul Bley’s Bill Evans’s trios to Keith Jarrett’s. As a bandleader he has also been influential: Tangents is the second release from the great bassist’s trio with Marc Copland and Joey Baron and draws on years of shared playing in diverse contexts. All three band members contribute compositions, Peacock’s including “December Greenwings”, revisiting a piece Gary introduced on his ECM recording December Poems.

Susanne Abbuehl - April (2001) {ECM} **[RE-UP]**  Music

Posted by TestTickles at Oct. 8, 2017
Susanne Abbuehl - April (2001) {ECM} **[RE-UP]**

Susanne Abbuehl - April (2001) {ECM}
EAC Rip | FLAC with CUE and log | scans | 297 mb
MP3 CBR 320kbps | RAR | 158 mb
Genre: jazz, vocal jazz

April is the 2001 CD by jazz singer Susanne Abbuehl. Released by ECM Records, as per the norm with the label, this was produced by Manfred Eicher.

Richard X Bennett - What Is Now (2017)  Music

Posted by aasana at Oct. 6, 2017
Richard X Bennett - What Is Now (2017)

Richard X Bennett - What Is Now (2017)
Jazz | 00:52:10 | WEB FLAC (tracks) & front cover | 258,20 MB
Label: Ropeadope LLC

Since moving to New York from his native Toronto in the 1990s, pianist and composer Richard X Bennett has thrived as a performer in a broad variety of stylistic contexts. Splitting his time between New York and Mumbai, he released a series of acclaimed albums on several Indian imprints, with his last two on Times Music, India's largest label.
Clarence "Gatemouth" Brown - Gate Walks to Board: 1947-1960 Aladdin & Peacock Sides (2015) {Hoodoo Records 263524}

Clarence "Gatemouth" Brown - Gate Walks to Board: 1947-1960 Aladdin & Peacock Sides (2015) {Hoodoo Records 263524}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 467 Mb | MP3 @320 -> 185 Mb
Full Artwork @ 300 dpi (jpg) -> 63 Mb | 5% repair rar
© 1947-60, 2015 Hoodoo Records | 263524
Blues / Rhythm & Blues / Electric Blues / Texas Blues

This special collector's edition contains 29 remastered recordings by Clarence “Gatemouth” Brown, consisting of a selection of the magnicent early sides released between 1947 and 1960 on the Peacock and Aladdin record labels. Several of his most famous songs and enduring singles are featured on this quintessential CD, including “Dirty Work at the Crossroads,” “Midnight Hour,” “Just Before Dawn,” and “Okie Dokie Stomp,” among others. It is truly an indispensable set for any blues and R&B devotee.