Ten years ago Angela Hewitt recorded a version of The Well-Tempered Clavier Book I which dazzled the critical world and record-buying public. It was followed shortly afterwards by Book II which was similarly received. Now, fresh from her Bach World Tour—in which she performed the complete Well-Tempered Clavier from August 2007 until the end of October 2008 in 58 cities in 21 countries on six continents—Angela has made an entirely new recording of this most iconic of keyboard works.
Released a year after a similar combination reissue of 's 1983 albums (), soulmusic.com gives her 1984 and 1985 albums similar treatment.
Angela Gheorghiu and Roberto Alagna star in the 2009 Metropolitan Opera production of Puccini’s 'La Rondine'. This new production, directed by Nicholas Joël, was the company’s first staging in 70 years. This elegant romance is the least-known work of the mature Giacomo Puccini. The story concerns a kept woman who defies convention to chase a dream of romantic love with an earnest, if naïve, young man. This Met Opera production features the dynamic soprano Angela Gheorghiu and Frenchborn tenor Roberto Alagna performing the roles of Magda and Ruggero, it blooms into its rightful place in the glorious Puccini canon. 'La Rondine' was commissioned by Vienna’s Carltheater in 1913. Due to the impending outbreak of World War I, premiered in 1917, at the Opéra de Monte-Carlo with Gilda Dalla Rizza and Tito Schipa.
Angela Hewitt has earned a richly deserved reputation for her interpretations of Bach and the Baroque, and something of that characteristic clarity illuminates her Schumann performances. Her first disc of this repertoire was praised for its ‘seemingly effortless but always adventurous interpretations … her poise and amplitude lending it an unearthly beauty’ and this second volume, containing some of the composer’s most bewitchingly beautiful music, should be no less lauded.
After a couple of years of relentless touring, Humble Pie capitalized on their loyal U.S. following to capture the market with this, their fifth studio album. Although lead guitarist Peter Frampton was replaced by Clem Clemson – an excellent player – the band remained essentially the same. Led by singer/guitarist Steve Marriott's soulful wail, the group enjoyed a huge hit from this record, "30 Days in the Hole" – the track which defined the Pie's not-so-subtle appeal. The rest of the record is equally funky and intriguing. Stephen Stills guests on "Road Runner 'G' Jam," playing some nasty Hammond organ fills. In the end, though, the group defined themselves as the undisputed leaders of the boogie movement in the early 1970s, as a band.
A brilliant specialist in the keyboard works of Johann Sebastian Bach, which she has recorded to great critical acclaim, Angela Hewitt proves herself equally attuned to the music of Wolfgang Amadeus Mozart in this first installment of the complete piano concertos. While beginning with the Piano Concertos No. 6, No. 8, and No. 9 might be an unusual opening gambit, jumping ahead of the earliest and least compelling concertos, they are still youthful works and more than competent examples of Mozart's budding mastery.