Although I usually find the inclusion of dialogue on a soundtrack to be intrusive, that's not the case here. Luckily it is not too overdone. The compositions by Trevor Jones and the sax of Courtney Pine bring back all the haunting beauty and terror of the film. There are no throwaway screeching scare tracks. At under 40 minutes, it is a beautiful rendering of a sinister mood that can be listened to again and again. More than a decade later, one might say the film doesn't keep it's "mystery" very well hidden but the music has held up. It's a superior example of a composer's ability to make a good film great and for that reason, I can watch it again and again. Note however, I could not watch the film without its score but I can spin the disc constantly. Alan Parker was a genius for choosing to go with atmosphere rather than musical hysterics. Never have the blues been so unnervingly hypnotic.
The Limited Deluxe Edition features 23 songs (an additional 7 songs) including all the original songs performed in the film by Jeff Bridges and Colin Farrell, "The Weary Kind" performed by Ryan Bingham (the theme song heard in the film's trailer and closing credits) and music featured in the film by Waylon Jennings, Lucinda Williams, Buck Owens, Sam Phillips and many more. It is packaged with a 12 page booklet featuring liner notes, lyrics and photographs. The soundtrack was co-produced by 10-time Grammy Award winner T Bone Burnett. Burnett, who co-produced the soundtrack with guitarist/songwriter Stephen Bruton. Synopsis Four-time Academy Award® nominee JEFF BRIDGES stars as the richly comic, semi-tragic romantic anti-hero Bad Blake, a broken-down, hard-living country music singer who's had way too many marriages, far too many years on the road and one too many drinks way too many times.
The time is the 1950s: seedy Brooklyn private eye Harry Angel (Mickey Rourke) is hired by shady Louis Cyphre (Robert De Niro) to locate a pop singer who reneged on a debt. Harry ventures into Harlem, the first step of a Heart of Darkness-inspired odyssey. Each time Harry makes contact with someone who might know the singer's whereabouts, he or she is killed in a horrible, ritualistic fashion; a Satanic cult seems to be at the bottom of all the carnage. Harry solves the mystery, all right. He just didn't know that he had the answer all along – even before Louis entered his office. Also available in the "unrated" video version, Angel Heart is best known as the film that nearly got an X-rating due to a no-holds-barred sex scene involving Mickey Rourke and Lisa Bonet.
Film director Alfonso Cuarón's dystopian science fiction thriller Children of Men is about a near future in which human fertility has nearly ceased, and to represent a setting that is familiar yet disturbing, the compilers of this various-artists soundtrack (there is also an album of the score) have chosen some rock and pop songs by well-known artists dating back to the '60s, some of them, however, presented in versions not so well known. Everybody knows the heavy metal band Deep Purple, but the band's initial American hit, a cover of Joe South's "Hush," doesn't sound much like its more successful "Smoke on the Water" phase. The Beatles' "Tomorrow Never Knows" and the Rolling Stones' "Ruby Tuesday" are iconic '60s songs, but they are here performed by Junior Parker and heavily accented Italian singer Franco Battiato, respectively. John Lennon's "Bring on the Lucie (Freeda Peeple)," a song featured on his 1973 album Mind Games, is not one of his more celebrated numbers, despite its anthemic appeal; the version heard here is a rehearsal take that first appeared on the Lennon Anthology box set in 1998. There are also rap and reggae toasting tracks, and some electronic music, adding to the sense of dislocation called for in the film.
Produced, arranged, and composed by Eric Serra, the soundtrack to director Luc Besson's smash movie La Femme Nikita was the third collaboration between the pair, following Subway and The Big Blue. Many of the soundtrack's nearly two dozen cuts are brief (less than a minute and a half) and, therefore, offer little outside of the context of the film (although the simple, piano-based "The Last Time I Kiss You" is an exception). Like the film, the music from it is highly stylized, but it lacks the film's heart and is, instead, a mostly cold, bloodless collection of synthesizer noodlings and generic guitar riffs (with the odd saxophone). Some of the better moments include the introductory "Rico's Gang Suicide," the hypnotic swagger of "NPOKMOP," the metallic surf guitar of "Let's Welcome Victor," and the genuinely moving "We Will Miss You".
Pretty Woman is noted for its musical selections and hugely successful soundtrack. The film features the song "Oh, Pretty Woman" by Roy Orbison, which inspired the movie's title. Roxette's "It Must Have Been Love" reached No. 1 on the Billboard Hot 100 in June 1990. The soundtrack also features "King of Wishful Thinking" by Go West, "Show Me Your Soul" by the Red Hot Chili Peppers, "No Explanation" by Peter Cetera, "Wild Women Do" by Natalie Cole and "Fallen" by Lauren Wood. The soundtrack went on to be certified three times platinum by the RIAA.
Like its parent film, T2 Trainspotting’s soundtrack eschews cosy Cool Britannia nostalgia for something weirder and better. The original soundtrack was a sharp mix of cult classics and of-the-moment artists. Rather than get Blur and co back, Danny Boyle has called on a more leftfield lineup of young guns, the likes of Mercury-winning Edinburgh alt hip-hop trio Young Fathers, Brixton scuzz rockers Fat White Family and deliciously demented Irish rappers Rubberbandits. The classic side of things is held up by Queen, Run DMC, Blondie and more, with the whole bookended by Trainspotting’s biggest tracks reborn: a mad-dog Prodigy remix of Iggy’s Lust for Life and Underworld’s Slow Slippy. In our retromaniac world, it might not attain the original’s classic status, but it’s all the better for its bravery. (The Guardian)