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Reissue with the latest DSD remastering. A really great session from pianist Andrew Hill – and one of his few post-Blue Note sessions to feature a horn player! The style of the set draws from a few strands of Hill's career – in that Hill is playing in some freely exploratory piano modes, yet also manages to swing soulfully with the rest of the group, especially sax player Jimmy Vass – who makes a rare appearance here on soprano, alto, and flute. In a way, the album probably most closely resembles the Andrew LP on Blue Note – which is great by us, as it's one of his best sets! Titles include "One For", "Remnants", "Blue Black", and "Golden Spook".
Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Quite possibly our favorite album ever from pianist Andrew Hill – a really unique outing that features the vibes of Bobby Hutcherson and a rare non-Sun Ra appearance by tenorist John Gilmore! The presence of Hutcherson brings a real "new thing" energy to the album – a feel that's similar to Bobby's classic Dialogue album, of which Hill was such an important part. But the searching tenor of Gilmore also brings a striking new level to the session as well – and his solos open up with a raw, earthy quality that really shades in the album with a great deal of feeling. Gilmore's role here is a bit like that of Joe Henderson on his freer Blue Note material – but his sound still undeniably unique, at a level that really makes us wish he'd recorded more albums like this at the time. The tracks are all originals by Hill, and include the titles "Duplicity", "Black Monday", "The Griots", and "Le Serpent Qui Danse". CD features 2 bonus alternate takes too!
Russian born composer and keyboardist Andrew Roussak serves up a nice production with this creation. Symphonic rock is the name of the game here, explored in several variations. Classical compositions, psalms and hard-rock tinged flavours of this style are all explored with skill and ease; virtuosic instrumentals and regular songs with a typical verse and chorus structure are both explored; and all variations of styles and sounds fits right in too. Skilled mix and production highlighting the moods and melodies helps create a distinct album feel to this creation, and although a skilled keyboard player it's the overall performance that is the focal point rather than Roussak's individual performance. Perhaps somewhat lacking in the brilliant tunes department, this is still an enjoyable release; that should cater for the tastes of many people into symphonic rock music.