Inspired by Miles Davis' Kind of Blue along with the latin rhythms and sound of Cal Tjader, trumpeter Ron Francis Blake brings you his debut album featuring special guests, Poncho Sanchez, Seamus Blake, and Walt Weiskopf
The pairing of Vaughan Williams' Job and his Symphony No. 9 is a logical one, not least because of the prominent role given to saxophones in both works. Vaughan Williams called Job a "masque," following old English usage, but it's a ballet in all but name, and like many of them it succeeds as a standalone orchestral work. The idea of a ballet based on the Book of Job seems slightly odd until you learn that it was inspired by William Blake's illustrations for the story, which would have been very familiar to Vaughan Williams' audiences in 1930.
Little was heard from James Blake throughout an almost three-year period that followed Overgrown, his second straight Top Ten U.K. album. He appeared on an Airhead track and released a 12" on his 1-800-Dinosaur label, yet it wasn't until February 2016, during his BBC Radio 1 program, that listeners got their initial taste of album three. Drawn like a scene from a dissolving relationship that immediately precedes release and relief, "Modern Soul" hinted that the album could be a bit brighter with less of the anguish that permeated the singer/producer's first two albums. Another song, a vaguely aching minimal dub ballad, was aired two months later, possibly chosen because it too had a title, "Timeless," that could potentially wind up detractors.
Debut novelist Crouch puts a nasty spin on the serial killer thriller in this gruesome tale that, alas, folds under the weight of its ambitions. The story starts at full throttle: narrator Andrew Thomas, a successful horror writer, finds a letter outside his secluded North Carolina home that begins, "Greetings. There is a body buried on your property, covered in your blood." Indeed there is, and further missives direct Andrew to a motel outside Denver, where he is drugged, kidnapped and brought to a house surrounded by desert; there he meets his captor - his long-lost twin brother, Orson. Orson, who walked out of Andrew's life years ago, has, it turns out, been quite busy in the interim as a serial killer. Hoping that Andrew will share his passion, Orson forces his brother to participate in mutilating and killing three victims; he then lets Andrew go. Back home, Andrew joins forces with his best friend to track Orson down, locating him at a New England college.