Little was heard from James Blake throughout an almost three-year period that followed Overgrown, his second straight Top Ten U.K. album. He appeared on an Airhead track and released a 12" on his 1-800-Dinosaur label, yet it wasn't until February 2016, during his BBC Radio 1 program, that listeners got their initial taste of album three. Drawn like a scene from a dissolving relationship that immediately precedes release and relief, "Modern Soul" hinted that the album could be a bit brighter with less of the anguish that permeated the singer/producer's first two albums. Another song, a vaguely aching minimal dub ballad, was aired two months later, possibly chosen because it too had a title, "Timeless," that could potentially wind up detractors.
Debut novelist Crouch puts a nasty spin on the serial killer thriller in this gruesome tale that, alas, folds under the weight of its ambitions. The story starts at full throttle: narrator Andrew Thomas, a successful horror writer, finds a letter outside his secluded North Carolina home that begins, "Greetings. There is a body buried on your property, covered in your blood." Indeed there is, and further missives direct Andrew to a motel outside Denver, where he is drugged, kidnapped and brought to a house surrounded by desert; there he meets his captor - his long-lost twin brother, Orson. Orson, who walked out of Andrew's life years ago, has, it turns out, been quite busy in the interim as a serial killer. Hoping that Andrew will share his passion, Orson forces his brother to participate in mutilating and killing three victims; he then lets Andrew go. Back home, Andrew joins forces with his best friend to track Orson down, locating him at a New England college.