"…The playing of the Retrospect Ensemble is spot-on from beginning to end. Tempos are brisk but not pressed to the point that compromises articulation or unanimity of bowing and fingering, and the readings are buoyant, energetic, and fresh-sounding. Complemented by Linn's wonderfully clear and transparent multichannel recording, Bach's music shines." ~Fanfare
Bach's music was central to the life and career of Yehudi Menuhin and the violonist is captured in his full early bloom in these performances from the 1930s. Joining the teenage Menuhin in the first and most celebrated of his four recordings of the concerto for Two Violins is his teacher and mentor, George Enescu.
As a glance at the titles for this release indicates, this is pretty much an album of reconstructions. In his learned and usefully comprehensive booklet notes, Geoffrey Burgess describes how Bach’s concertos for harpsichord can be shown to have had other intended solo instruments, the oboe in particular, in mind. Bach wrote more solos for the oboe into his cantatas than for any other instrument, and so the lack of concertante works for the instrument argues that several may have been lost or have only survived in other guises.
Akiko Suwanai (born in 1972) is one of the brightest violinists to have emerged in the late 20th century, winning the Tchaikovsky International Competition, the youngest person to do so, in 1990. She has gone on to an impressive concert and recording career that encompasses both traditional repertoire and world premieres. Her 2006 album J.S. Bach: Violin Concertos was an instant success. Her performance is impressive: incisive, nuanced, and idiomatic. Her tone has an appealing warmth, but she remains true to the character of the music and doesn't lapse into Romantic tone quality or interpretations.