Analogue Drums Monotown

Analogue Drums DeadBeat KONTAKT  Software

Posted by orientazure at Feb. 11, 2016
Analogue Drums DeadBeat KONTAKT

Analogue Drums DeadBeat KONTAKT | 1.53 Gb

DeadBeat is a dampened kit in a 60s/70s pop style. Based around a 3-ply '70s Ludwig kit with a selection of vintage Zildjian cymbals, Ludwig and Premier snares. Deadbeat will do the Abbey Road tea-towel thing, and is also great for dry Funk and RnB, contemporary Folk and Indie, Pop, and a whole lot more.

Analogue Drums Royale KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Royale KONTAKT

Analogue Drums Royale KONTAKT | 2.49 Gb

Royale is a vintage jazz kit played with mallets. Based around a mint '70s Rogers kit with select vintage Paiste and Zildjian cymbals, Rogers Dynasonic, Ludwig and Gretsch snares. Royale delivers a toneful foundation for jazz and other genres, and is versatile enough to handle everything from delicate parts to raucous beats. The mix of the kit can be taken from crisp and intimate through to roomy and spacious with a few fader adjustments.

Analogue Drums Smoker KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Smoker KONTAKT

Analogue Drums Smoker KONTAKT | 3.08 Gb

Smoker is a jazz kit with all the credentials ticked. Based around a toneful '70s Rogers kit with a selection of classic snares and cymbals, Smoker has a warm vintage tone fit for soulful and sparse quartets, hyped up frenetic bebop, bombastic big band, funked up lounge and everything in between. The mix of the kit can be taken from crisp and articulate to smooth and spacious with a few fader adjustments. Played with hand selected maple 7a sticks to bring out deep and subtle tones.

Analogue Drums Boxer KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Boxer KONTAKT

Analogue Drums Boxer KONTAKT | 2.11 Gb

Boxer is a punchy alt rocker with a boxy edge. It has an unpretentious direct sound with alt rock and pop written all over it. A solid kick, toneful toms, and three snares cover plenty of ground, each snare giving the kit a completely different feel. The kit works equally well for laid back grooves or fast and frantic flurries. Hear the kit for yourself by checking out the demos.

That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK  Software

Posted by Dizel_ at Nov. 29, 2015
That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK

That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK | 170 Mb

Welcome to a place where the real and digital worlds collide. Its a soundscape where acoustic and analogue drums swim in lush reverbs. This is Cinematic Pop Drums. This is the library for when regular drum sounds don’t convey the depth, atmosphere, and sense of scale you’re looking for. Perfect for the modern pop, EDM and rock producer, this library contains a concise set of kicks, snares, claps, toms, hats, snaps and effects – processed and ready to add that ‘widescreen’ cinematic feeling to your tracks.
Grant Green - Grantstand (1961) [Analogue Productions, Remastered 2011] Audio CD Layer

Grant Green - Grantstand (1961) [Remastered 2011]
Mastered by Kevin Gray and Steve Hoffman at AcousTech Mastering
XLD | FLAC | Tracks (Cue&Log) ~ 236 Mb | Mp3 (CBR320) ~ 107 Mb | Scans included | 00:42:56
Hard Bop, Soul Jazz, Guitar Jazz | Label: Analogue Productions, Blue Note | # CBNJ 84086 SA

Grantstand is an album by American jazz guitarist Grant Green featuring performances recorded in 1961 and released on the Blue Note label. The Allmusic review by Steve Huey awarded the album 4 stars and stated "if you're looking for Green the soul-jazz groovemaster, Grantstand is an excellent place to find him".
Ike Quebec - Blue & Sentimental (1961) [Analogue Productions, Remastered 2011] Audio CD Layer

Ike Quebec - Blue & Sentimental (1961) [Remastered 2011]
Mastered by Kevin Gray and Steve Hoffman at AcousTech Mastering
EAC | FLAC | Tracks (Cue&Log) ~ 453 Mb | Mp3 (CBR320) ~ 119 Mb | Artwork included
Hard Bop, Soul Jazz | Label: Analogue Productions, Blue Note | # CBNJ 84098 SA | 00:50:45

Blue & Sentimental is an album by American saxophonist Ike Quebec recorded in 1961 and released on the Blue Note label. The album features a sparse quartet of Quebec (occasionally doubling on piano), guitarist Grant Green, and a rhythm section of Paul Chambers on bass and Philly Joe Jones on drums. The album features some rare rhythm guitar accompaniment by Green, who was more typically a soloist. The Allmusic review by Steve Huey awarded the album 5 stars and calling it "a superbly sensuous blend of lusty blues swagger and achingly romantic ballads… a quiet, sorely underrated masterpiece".
Jackie McLean - New Soil (1959) [Analogue Productions, Remastered 2010] Audio CD Layer

Jackie McLean - New Soil (1959) [Remastered 2010]
Mastered by Kevin Gray and Steve Hoffman at AcousTech Mastering
EAC | FLAC | Tracks (Cue&Log) ~ 308 Mb | Mp3 (CBR320) ~ 123 Mb | Scans included | 00:45:01
Hard Bop, Post-Bop, Saxophone Jazz | Label: Analogue Productions/Blue Note | # CBNJ 84013 SA

New Soil wasn't the first session Jackie McLean recorded for Blue Note, but it was the first one released, and as the title suggests, the first glimmerings of McLean's desire to push beyond the limits of bop are already apparent. They're subtle, of course, and nowhere near as pronounced as they would be in just a few years' time, but – as with the 1959 material later issued on Jackie's Bag – hints of Ornette Coleman's stream-of-consciousness melodic freedom are beginning to find their way into McLean's improvisations. His playing is just a touch more angular than the ear expects, especially given the very bluesy nature of pieces like McLean's 11-minute vamp "Hip Strut," and pianist Walter Davis, Jr.'s infectious boogie-woogie "Greasy." Coleman's influence is most apparent on McLean's "Minor Apprehension," where the freewheeling, Coleman-esque main theme is paralleled by trumpeter Donald Byrd in a definite nod to Don Cherry. What's more, drummer Pete LaRoca takes a surprisingly free solo of significant length toward the end of the track.
The Horace Silver Quintet & Trio - Blowin' The Blues Away (1959) [Analogue Productions, Remastered 2011] Audio CD Layer

The Horace Silver Quintet & Trio - Blowin' The Blues Away (1959) [Remastered 2011]
Mastered by Kevin Gray and Steve Hoffman at AcousTech Mastering, Camarillo, CA.
EAC | FLAC | Tracks (Cue&Log) ~ 265 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included | 00:43:06
Hard Bop, Soul Jazz, Piano Jazz | Label: Analogue Productions/Blue Note | # CBNJ 84017 SA

'Blowin' the Blues Away' is an album by jazz pianist Horace Silver, released on the Blue Note label in 1959 featuring performances by Silver with Blue Mitchell, Junior Cook, Gene Taylor, and Louis Hayes. The Allmusic review by Steve Huey awarded the album 4½ stars and states "Blowin' the Blues Away is one of Horace Silver's all-time Blue Note classics… one of Silver's finest albums, and it's virtually impossible to dislike".
The Oscar Peterson Trio - We Get Requests (1964) [Analogue Productions, Remastered 2011] Audio CD Layer

The Oscar Peterson Trio - We Get Requests (1964) [Remastered 2011]
EAC | FLAC | Tracks (Cue&Log) ~ 235 Mb | Mp3 (CBR320) ~ 116 Mb | Scans included | 00:40:20
Bop, Swing, Mainstream Jazz | Label: Analogue Productions, Verve | # CVRJ 8606 SA

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. This 1964 studio session features the Peterson trio with bassist Ray Brown and Ed Thigpen, a group that had been together for five years by then and performed like a well-oiled machine. The repertoire is mostly pop songs of the day, including bossa nova tunes and film themes, and the treatments are fairly brief, with emphasis placed squarely on the melodies. Even in their lightest moments, though, the group demonstrates some of the qualities that made it among the most influential piano trios in jazz, a group that could generate tremendous rhythmic energy and a sense of developing musical detail. For all his legendary force, Peterson possesses a subtle rhythmic sense, and here he infuses even "People" with an undercurrent of swing. This is undemanding, tuneful music best suited for casual listening, but it still sparkles with the trio's customary élan.