Analogue Drums Pastique

Analogue Drums DeadBeat KONTAKT  Software

Posted by orientazure at Feb. 11, 2016
Analogue Drums DeadBeat KONTAKT

Analogue Drums DeadBeat KONTAKT | 1.53 Gb

DeadBeat is a dampened kit in a 60s/70s pop style. Based around a 3-ply '70s Ludwig kit with a selection of vintage Zildjian cymbals, Ludwig and Premier snares. Deadbeat will do the Abbey Road tea-towel thing, and is also great for dry Funk and RnB, contemporary Folk and Indie, Pop, and a whole lot more.

Analogue Drums Royale KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Royale KONTAKT

Analogue Drums Royale KONTAKT | 2.49 Gb

Royale is a vintage jazz kit played with mallets. Based around a mint '70s Rogers kit with select vintage Paiste and Zildjian cymbals, Rogers Dynasonic, Ludwig and Gretsch snares. Royale delivers a toneful foundation for jazz and other genres, and is versatile enough to handle everything from delicate parts to raucous beats. The mix of the kit can be taken from crisp and intimate through to roomy and spacious with a few fader adjustments.

Analogue Drums Smoker KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Smoker KONTAKT

Analogue Drums Smoker KONTAKT | 3.08 Gb

Smoker is a jazz kit with all the credentials ticked. Based around a toneful '70s Rogers kit with a selection of classic snares and cymbals, Smoker has a warm vintage tone fit for soulful and sparse quartets, hyped up frenetic bebop, bombastic big band, funked up lounge and everything in between. The mix of the kit can be taken from crisp and articulate to smooth and spacious with a few fader adjustments. Played with hand selected maple 7a sticks to bring out deep and subtle tones.

Analogue Drums Boxer KONTAKT  Software

Posted by Dizel_ at Aug. 16, 2015
Analogue Drums Boxer KONTAKT

Analogue Drums Boxer KONTAKT | 2.11 Gb

Boxer is a punchy alt rocker with a boxy edge. It has an unpretentious direct sound with alt rock and pop written all over it. A solid kick, toneful toms, and three snares cover plenty of ground, each snare giving the kit a completely different feel. The kit works equally well for laid back grooves or fast and frantic flurries. Hear the kit for yourself by checking out the demos.

That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK  Software

Posted by Dizel_ at Nov. 29, 2015
That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK

That Sound CiNEMATiC POP Drums MULTiFORMAT DELUXE PACK | 170 Mb

Welcome to a place where the real and digital worlds collide. Its a soundscape where acoustic and analogue drums swim in lush reverbs. This is Cinematic Pop Drums. This is the library for when regular drum sounds don’t convey the depth, atmosphere, and sense of scale you’re looking for. Perfect for the modern pop, EDM and rock producer, this library contains a concise set of kicks, snares, claps, toms, hats, snaps and effects – processed and ready to add that ‘widescreen’ cinematic feeling to your tracks.
Hank Mobley, Al Cohn, John Coltrane, Zoot Sims - Tenor Conclave (1956) [Analogue Productions Remastered 2014] Audio CD Layer

Hank Mobley, Al Cohn, John Coltrane, Zoot Sims - Tenor Conclave (1956)
The Prestige Mono Series, Remastered 2014, Audio CD Layer
EAC | FLAC | Tracks (Cue&Log) ~ 231 Mb | Mp3 (CBR320) ~ 110 Mb | Scans included
Cool, Hard Bop, Saxophone Jazz | Label: Analogue Productions | # CPRJ 7074 SA | 00:44:01

These SACD jackets feature printed wraps mounted to chipboard shells, producing an authentic, "old school" look and feel. Some people call these "mini LP" jackets. This unusual meeting of four tenor saxophone players from different "schools" was part of the Prestige Friday afternoon jam session series but far from a typical outing. The giant forebears of Coleman Hawkins, Lester Young, and Charlie Parker inform the backgrounds of the performers on this LP — Hank Mobley, Al Cohn, Zoot Sims, and John Coltrane — and other influences such as Ben Webster, Dexter Gordon, and the Sonnys (Stitt and Rollins) show up, too, depending on which of the four protagonists you’re talking about.
Billie Holiday - All Or Nothing At All (1958) [Analogue Productions, Remastered 2012] Audio CD Layer

Billie Holiday - All Or Nothing At All (1958) [Remastered 2012]
EAC | FLAC | Tracks (Cue&Log) ~ 327 Mb | Mp3 (CBR320) ~ 136 Mb | Scans included | 00:51:12
Vocal Jazz, Swing, Standarts | Label: Analogue Productions/Verve | # CVRJ 8329 SA

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. After the publication of her autobiography, Lady Sings The Blues, Billie Holiday was doing good business in clubs in what turned out to be a last burst of stardom. We cannot know why she stopped recording for Norman Granz after January 1957, but All or Nothing at All, is a magnificent culmination of her years with the producer. As this set demonstrates in the subtle blending and dissolving of moods within one number as well as in the emotional changes throughout the program as a whole, perhaps the primary reason Holiday was always able to reach so deeply into her listeners is that more than any other jazz singer, she could communicate the complexities of feeling in which we are all involved. This audiophile hybrid SACD remastering from Analogue Productions offers listeners the best possible sound quality.
Elvis Presley - 24 Karat Hits! (1997) [Analogue Productions, Remastered Reissue 2012] Audio CD Layer

Elvis Presley - 24 Karat Hits! (1997) [Remastered Reissue 2012]
EAC | FLAC | Tracks (Cue&Log) ~ 339 Mb | Mp3 (CBR320) ~ 149 Mb | Scans included | 01:01:17
Rock & Roll, Early Pop/Rock | Label: Analogue Productions, RCA Victor | # CAPP 2040 SA

Mastered from the original analog tapes By George Marino at Sterling Sound. An audiophile dream set; the best that Elvis has ever sounded! Includes every one of the King's all-time greatest singles.
Ella Fitzgerald & Louis Armstrong - Ella and Louis Again (1957) [Analogue Productions, Remastered 2012] Audio CD Layer

Ella Fitzgerald & Louis Armstrong - Ella and Louis Again (1957) [Remastered 2012]
EAC | FLAC | Tracks (Cue&Log) ~ 216 Mb | Mp3 (CBR320) ~ 106 Mb | Scans included | 00:44:18
Vocal Jazz, Standarts, Vocal Pop | Label: Analogue Productions, Verve | # CVRJ 4017 SA

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. There isn't much one can say about an album whose title is Ella And Louis Again. The "again" obviously means they've already done one album together and beyond that, what can you say about two people like Ella and Louis? I doubt that there's anyone today who loves music, who doesn't know Ella Fitzgerald and Louis Armstrong. The backing, with the Oscar Peterson Trio and Louis Bellson substituting for Buddy Rich, remains, as in the first album, quiet, discreet, swinging.
Ella Fitzgerald & Louis Armstrong - Ella and Louis (1956) [Analogue Productions, Remastered 2011]

Ella Fitzgerald & Louis Armstrong - Ella and Louis (1956) [Remastered 2011]
EAC | FLAC | Tracks (Cue&Log) ~ 256 Mb | Mp3 (CBR320) ~ 131 Mb | Scans included | 00:54:12
Vocal Jazz, Standarts, Vocal Pop | Label: Analogue Productions, Verve | # CVRJ 4003 SA

Mastered by George Marino at Sterling Sound from the original master tapes to vinyl and PCM. The very fact that America's biggest jazz label called one of their albums quite simply Ella and Louis indicates that we are talking about something very special here. And surely enough has been said - "Satchmo" and the grande dame of jazz certainly need no further introduction. In the '50s just the mere mention of their forenames was enough to light up the eyes of jazz fans. A glance at the track list reveals that tranquility rules the day: wild stomps and improvised scats will neither be sought nor missed. Of prime importance to the jazz ballad is a feeling of "letting oneself drift" in the inspiration which gushes forth from the minds of genial American songwriters. This is no contest - for the artists all pursue a common goal with extreme sensitiveness. The background combo, made up of first-class musicians and led by Oscar Peterson, performs with great concentration and almost obtrusive unobtrusiveness.