This is an unashamedly opinionated film. In Gore Vidal's America, the political coup has already happened. The right have triumphed and the human values of the liberals have been consigned to history. But how did this happen and who organized it? In this film Gore Vidal's acerbic, opinionated and informed approach rips away at the facade of the new America. The film dramatizes Gore's political views and his concern at the present state of American democracy using interviews and historical footage of his famous appearances on television and talk shows over the last fifty years. In the recently filmed interviews Gore examines the course of American history and policy making and draws dramatic conclusions on the fate of the nation in the modern age.
M.Ward's second solo enterprise verifies the artist as one of those few songwriters who stand between the cracks of time, where he spins a hallucinatory, new universe out of old-world roots. Indeed, there's a real down-home, unpolished luster to End of Amnesia, both in execution and in songwriting, that gives it a timeless, old-fashioned pallor. And yet there's also something just slightly off in the songs, a strange, disembodied quality that seems to come at least partly from an ulterior place, be it real or imagined. That attribute is precisely what gives the music such a singular, distinctive sound and vision. Ward comes off like a sort of one-man the Band with nothing but a beat-up guitar and his sepia croak of a voice.
Gilbert "Gil" Scott-Heron was an American soul and jazz poet, musician, and author, known primarily for his work as a spoken word performer in the 1970s and '80s. His collaborative efforts with musician Brian Jackson featured a musical fusion of jazz, blues, and soul, as well as lyrical content concerning social and political issues of the time, delivered in both rapping and melismatic vocal styles by Scott-Heron. His own term for himself was "bluesologist", which he defined as "a scientist who is concerned with the origin of the blues." His music, most notably on Pieces of a Man and Winter in America in the early 1970s, influenced and helped engender later African-American music genres such as hip hop and neo soul.