Aline Christophe

Christophe Rousset - Rameau: Zaïs (2015) [Official Digital Download 24/96]

Christophe Rousset - Rameau: Zaïs (2015)
FLAC (tracks) 24-bit/96 kHz | Time - 149:57 minutes | 2.92 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Following three acclaimed revivals of Lully's tragédies lyriques - Bellérophon, Phaéton and Amadis - Christophe Rousset leads Les Talens Lyriques in a definitive performance of Jean-Philippe Rameau's ballet-héroïque Zaïs.
Christophe Rousset - Bach: The Well-Tempered Clavier, Book 1 (2016) [Official Digital Download 24/96]

Christophe Rousset - Bach: The Well-Tempered Clavier, Book 1 (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 123:46 minutes | 2.50 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Recording 'The Well-tempered Clavier' is a bit like climbing Everest, and this new recording by Christophe Rousset devoted to Book I has been eagerly awaited. With modesty and rigour, he gives a rich, varied interpretation of this monument to Art, revealing its secrets to us in a highly informative introductory text. Performed on the magnificent Rückers harpsichord at the Château of Versailles, Nicolas Bartholomée's recording ideally reproduces the full, fruity savour of this instrument that has miraculously been preserved.
Christophe Rousset - Couperin: Ariane consolée par Bacchus, Apothéoses de Lully & de Corelli (2016) [24/96]

Christophe Rousset - Couperin: Ariane consolée par Bacchus, Apothéoses de Lully & de Corelli (2016)
FLAC (tracks) 24-bit/96 kHz | Time - 60:56 minutes | 1.11 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

Christophe Rousset, Les Talens Lyriques and Stéphane Degout - F. Couperin: Ariane consolée par Bacchus, Apothéoses de Lully & de Corelli: The genius of François Couperin (1668-1733) whispers precious secrets in Christophe Rousset's ear, which he reveals to us in this new recording. Here, the cantata Ariane consolée par Bacchusis unveiled in preview, served by a dream cast.
Ann Hallenberg, Les Talens Lyriques & Christophe Rousset - Farinelli (Live) (2016) [Official Digital Download 24/88]

Ann Hallenberg, Les Talens Lyriques & Christophe Rousset - Farinelli (Live) (2016)
FLAC (tracks) 24-bit/88.2 kHz | Time - 79:33 minutes | 1.28 GB
Studio Master, Official Digital Download | Artwork: Digital Booklet

With more than one million copies sold, the original soundtrack of Gérard Corbiau’s film Farinelli established the international reputation of Les Talens Lyriques. In 1994, in order to reinvent the voice of Carlo Broschi aka Farinelli (1705-1782), a computer was used to mix the timbres of Derek Lee Ragin, countertenor, and Ewa Mallas-Godlewska, soprano. No less would have been sufficient to incarnate the octaves and the phenomenal power of this singer, history’s first rock star.
Daniel Erdmann, Christophe Marguet, Claude Tchamitchian & Henri Texier - Three Roads Home (2018)

Daniel Erdmann, Christophe Marguet, Claude Tchamitchian & Henri Texier - Three Roads Home (2018)
WEB FLAC (tracks) ~ 348.26 Mb | 58:39 | Cover
Post-Bop, Contemporary Jazz | Label: Das Kapital Records

Free and open minds and quiet temperament, Daniel Erdmann (tenor saxophone) and Christophe Marguet (drums) have naturally found themselves in a face-to-face formula, in 2010 for fun and very seriously in 2012 to record the album "Together Together" published in 2014 (Abalone), one of our favorites that year. So we find them together, surrounded by two of their most faithful contrabassist friends: Henri Texier and Claude Tchamitchian.

Aline Ohanesian - Raccontami dei fiori di gelso (Repost)  eBooks & eLearning

Posted by Karabas91 at March 30, 2018
Aline Ohanesian - Raccontami dei fiori di gelso (Repost)

Aline Ohanesian - Raccontami dei fiori di gelso
Italian | 2016 | 282 pages | ISBN: 8811687616 | EPUB | 0,6 MB

Quando i ricordi ritornano alla mente, a volte non si è preparati ad accoglierli. Soprattutto se si è fatto di tutto per far tacere la loro voce, per nascondere le sensazioni che portano con sé. È cosi per Seda, che credeva di aver finalmente seppellito il passato per sempre. Ma ora è tornato e parla del paese da cui si è allontanata senza voltarsi indietro. Parla della Turchia dove affondano le sue radici, il paese di cui sente ancora il profumo delle spezie e il rumore dei telai al lavoro nell'azienda della sua famiglia. Da lì proviene il giovane Orhan, che adesso vuole delle risposte. Vuole sapere perché suo nonno, Kemal, ha lasciato la loro vecchia casa a Seda, una sconosciuta che vive in America. Lei capisce che è arrivato il momento di scendere a patti con la sua memoria e con quella colpa che non ha mai confessato a nessuno..
Les Talens Lyriques, Christophe Rousset  - Jean-Baptiste Lully: Alceste (2017)

Les Talens Lyriques, Christophe Rousset - Jean-Baptiste Lully: Alceste (2017)
EAC | FLAC (image+.cue, log) | Covers Included | 02:30:56 | 836 MB
Genre: Classical, Opera | Label: Aparté | Catalog: AP164

L’histoire entre Les talens Lyriques, Christophe Rousset et Jean-Baptiste Lully (1632-1687) est l’histoire d’une réussite. Les sept disques (Persée, Roland, Armide, Amadis, Phaéton, Bellérophon et cet Alceste) du compositeur d'origine italienne naturalisé français enregistrés par l’ensemble et le chef et claveciniste Français sont tous un véritable succès critique. En quelques années, Les talens Lyriques et Christophe Rousset sont passés maître du style et de l’écriture Lulliste au point d’être devenus un (le ?) véritable intournable du genre.
Les Talens Lyriques, Christophe Rousset - Rameau: Six Concerts en sextuor (2003)

Les Talens Lyriques, Christophe Rousset - Rameau: Six Concerts en sextuor (2003)
EAC | FLAC (image+.cue, log) | Covers Included | 71:49 | 406 MB
Genre: Classical | Label: Decca | Catalog: 467 699-2

Among the finest performers of early music and arbiters of period practices, Christophe Rousset and Les Talens Lyriques turn their attention here to the composer whose work inspired the ensemble's name and purpose. In this 2000 disc devoted to the music of Jean-Philippe Rameau, Rousset and his ensemble turn in vigorous and appealing performances that present Rameau's music in a new light. The chaste and sometimes severe Pièces de clavecin en concerts are dramatically transformed in these sumptuous versions for string orchestra and continuo.
XVIII-21, Musique des Lumieres, Jean-Christophe Frisch - Rameau: Castor et Pollux (Version de chamber de 1754) (1998)

XVIII-21, Musique des Lumieres, Jean-Christophe Frisch - Rameau: Castor et Pollux (Version de chamber de 1754) (1998)
EAC | FLAC (image+.cue, log) | Covers Included | 02:09:49 | 752 MB
Genre: Classical, Opera | Label: Auvidis Astrée | Catalog: E 8624

Créé en 1995 par Jean-Christophe Frisch, premièrement sous le nom de XVIII-21 Musique des Lumières, XVIII-21 Le Baroque Nomade est un ensemble français ayant participé à un renouvellement de l’interprétation de la musique baroque, en s’appuyant sur les découvertes musicologiques les plus récentes. L’ensemble a notamment développé le concept de baroque nomade, travaillant sur les rencontres historiquement avérées entre musiques baroques européennes et musiques extra-européennes.
Christophe Rousset, Les Talens Lyriques - Tommaso Traetta: Antigona (2000)

Christophe Rousset, Les Talens Lyriques - Tommaso Traetta: Antigona (2000)
EAC | FLAC | Image (Cue & Log) ~ 618 Mb | Total time: 79:16+80:41 | Scans included
Classical | Label: DECCA | # 460 204-2 | Recorded: 2000

In November 1772, as the 16-year-old Mozart was preparing to astonish the Milanese with his third operatic work for the Teatro Regio Ducal, his older contemporary, Tommaso Traetta (1727–79) from the Puglia region of Italy, was presenting the premiere of his second opera for the court of Catherine the Great in St Petersburg. Today, the former’s Lucio Silla is probably better known than the latter’s Antigona. But which is the finer work? On the basis of this outstanding new recorded version, I would say that Traetta’s tragedia per musica in three acts far outclasses Mozart’s opera seria for its consistent musical inspiration and sheer theatrical know-how. If Traetta’s music were at all familiar to opera-lovers today, that would not be so surprising because this contemporary and disciple of Gluck was, by 1772, an experienced composer for the theatre, already in the prime of a life that was to end, prematurely, only seven years later. His career had taken him from the conservatory in Naples to that city’s famous San Carlo, where his first commission in 1751 was Il Farnace. From there he travelled throughout Europe.