Alessandro Scarlatti Concertos And Sinfonias

Scarlatti Alessandro - Concertos and sinfonias (Federico Maria Sardelli, Enrico Casazza) [2008]

Scarlatti Alessandro - Concertos and sinfonias (Federico Maria Sardelli, Enrico Casazza) [2008] (repost)
EAC Rip | FLAC, IMG+CUE, LOG | Covers | 2cd, 660.59 MB
Classical | Label: Brilliant | Catalog Number: 93357

Scarlatti's music forms an important link between the early Baroque Italian vocal styles of the 17th century, with their centers in Florence, Venice and Rome, and the classical school of the 18th century, which culminated in Mozart.
Capella Tiberina; Corina Marti, Alexandra Nigito - Alessandro Scarlatti: 12 Sinfonie di Concerto grosso (2015) 2CDs

Alessandro Scarlatti - 12 Sinfonie di Concerto grosso (2015) 2CDs
Capella Tiberina; Corina Marti, recorder; Paolo Perrone, concertmaster;
Alexandra Nigito, harpsichord; Ann Allen, oboe, recorder; Giuseppe Frau, trumpet

EAC | FLAC | Image (Cue&Log) ~ 506 Mb (incl 5%) | Mp3 (CBR320) ~ 247 Mb (incl 5%) | Scans included
Genre: Classical | Label: Brilliant Classics | # 94658 | Time: 01:28:48

After being kept in relative obscurity the music of Alessandro Scarlatti is making a glorious come back, and is recognised as at least as innovative, brilliant and profound as the music of his son, the famous Domenico Scarlatti. These “12 sinfonie di concerto grosso” are concertante works, either for a variety of solo instruments (concerto grosso) or for solo recorder and strings. These are delightful baroque concertos, brimming with energy, Italian charm and gusto. Played by Early Music group Capella Tiberina on historical instruments, Corina Marti is the recorder soloist, who already excelled in her recording of the Mancini recorder concertos on Brilliant Classics (BC 94324).
Italian Baroque: The Instrumental Edition: Giovanni Battista & Giuseppe Sammartini, Sardelli, Alessandro Scarlatti [2016]

Italian Baroque: The Instrumental Edition: Giovanni Battista & Giuseppe Sammartini, Sardelli, Alessandro Scarlatti [2016]
Classical | Brilliant Classics 95430 | TT: 58.43+53.51+69.49+69.30+44.32+44.15 | EAC (FLAC, cue, log) | Covers | 1.74 Gb

A celebration of instrumental Baroque splendour! This set present an anthology of Italian Baroque composers, featuring their instrumental output. Obviously the famous composers have their fair share: Vivaldi, Albinoni, Locatelli, Corelli, but also lesser known composers are featured: Barsanti, Bassani, Veracini, Nardini, Stradella, Vitali, Mancini, Platti, Legrenze and many more, over 30 composers! Performances by leading ensembles specialized in the Historically Informed Performance Practice: L'Arte dell'Arco/Federico Guglielmo, Ensemble Cordia/Stefano Veggetti, Violini Capricciosi/Igor Ruhadze, MusicaAmphion/Pieter Jan Belder and many more. A treasure trove of solo concertos, concerti grossi, sinfonias, overtures, trio sonatas and solo sonatas from the Golden Era of the Italian Baroque, era of joy, passion and brilliance!
Ensemble Arte Musica, Francesco Cera - Alessandro Stradella: Complete String Sinfonias (2015)

Ensemble Arte Musica, Francesco Cera - Alessandro Stradella: Complete String Sinfonias (2015)
EAC | FLAC (image+.cue, log) | Covers Included | 72:23 | 460 MB
Genre: Classical | Label: Brilliant Classics | Catalog: 95142

Theatrical chamber music might appear to be a contradiction in terms, but the unlikely idea is fulfilled by these sparkling, highly wrought trio sonatas. For despite their title, that is what they are: most composers of the 18th century may have used the sonata designation for this form, but Alessandro Stradella employed at least several of these works as preludes or overtures to his dramatic and sacred works such as the oratorio Susanna (already recorded on Brilliant Classics, BC94345).
Alessandro Stradella (ca.1639-1682). Cantata for Christmas Eve and sinfonias

Alessandro Stradella (ca.1639-1682). Cantata for Christmas Eve and sinfonias. La Magnifica Comunità. Enrico Casazza, conductor.
Classical | 1 CD | XLD | FLAC, LOG, CUE | Scans, Booklet HQ | 223 Mb | TT: 51:18 | RS
Recorded: 1999 | Brilliant Classics

A contemporary of Buxtehude and Lully, Alessandro Stradella (ca.1639-1682) remained in Italy his entire life. He benefited from important patrons in Rome, including Christina of Sweden. Here in the mid-seventeenth century, with the theatres being closed for over a decade, the cantata was at its height. Like many of the contemporary cantatas this particular Cantata for Christmas Eve was intended for performances at the palaces of the nobility. Only a hand full of musicians are needed for this charmingly intimate piece: three voices, 2 violins and basso continuo.

"Osteonecrosis" ed. by Alessandro R Zorzi and Joao Batista de Miranda  eBooks & eLearning

Posted by exLib at Aug. 13, 2017
"Osteonecrosis" ed. by Alessandro R Zorzi and Joao Batista de Miranda

"Osteonecrosis" ed. by Alessandro R Zorzi and Joao Batista de Miranda
ITOe | 2017 | ISBN: 953513308X 9535133071 9789535133070 9789535133087 | 114 pages | PDF | 8 MB

In this book you will find in it some subjects little discussed in other textbooks, such as osteonecrosis of the mandible and osteonecrosis of the spinal vertebrae.
Philharmonia Baroque, Nicholas McGegan - Alessandro Scarlatti: La Gloria di Primavera (2015) 2 CDs

Alessandro Scarlatti - La Gloria di Primavera (2015) 2 CDs
Diana Moore (Mezzo Soprano), Suzana Ograjenšek (Soprano), Clint Van Der Linde (Countertenor)
Nicholas Phan (Tenor), Douglas Williams (Bass Baritone)
Philharmonia Baroque Orchestra & Chorale; Nicholas McGegan, director

EAC | FLAC | Image (Cue&Log) ~ 648 Mb | Mp3 (CBR320) ~ 322 Mb | Artwork included
Classical, Baroque | Label: philharmonia BAROQUE | # PBP09 | 02:18:32

The San Francisco Chronicle called Scarlatti’s La Gloria di Primavera a “feast of vocal invention, supplemented by wondrous instrumental writing for a strikingly large orchestra” after Philharmonia Baroque Orchestra and Nicholas McGegan presented acclaimed western hemisphere premiere performances in October 2015. PBO and McGegan are delighted to be the first to record this newly-discovered 300 year old serenata. After Holy Roman Emperor Charles VI acquired the kingdom of Naples in a treaty, the Neapolitans commissioned their court composer, Alessandro Scarlatti, to compose a grand serenata to celebrate the birth of Charles VI’s son, prince John Leopold. Scarlatti wrote the piece within a few weeks and it was performed to audiences in Naples immediately following the birth. Unfortunately, just months after La Gloria di Primavera premiered, the celebrated infant died and the incredible work was forgotten.

Wolfgang Rubsam - J.S. Bach: Inventions and Sinfonias (1995)  Music

Posted by tirexiss at July 9, 2017
Wolfgang Rubsam - J.S. Bach: Inventions and Sinfonias (1995)

Wolfgang Rubsam - J.S. Bach: Inventions and Sinfonias (1995)
EAC | FLAC (image+.cue, log) | Covers Included | 66:06 | 187 MB
Genre: Classical | Label: Naxos | Catalog: 8.550960

The Inventions and Sinfonias are fairly low profile works of Bach's and, unfortunately, not often performed. However, we should know that Bach did not reserve all his best composition into his larger scale pieces but also ensured that his shortest, least grandiose, pieces were put together with the same dedication and quality. And so it is with the Inventions and Sinfonias. Invention is the term Bach used here to refer to a short Prelude-like piece with two independent voices - one from the left hand one from the right which are generally working fairly independently.
Xavier de Maistre, Vienna RSO - Aranjuez, Concertos and Dances for Harp: Falla, Rodrigo, Tarrega, Granados, Ginastera (2010)

Xavier de Maistre (harp) - Aranjuez: Concertos and Dances for Harp (2010)
Manuel de Falla, Joaquin Rodrigo, Francisco Tarrega, Enrique Granados, Alberto Ginastera
Vienna Radio Symphony Orchestra, conducted by Bertrand de Billy

EAC | FLAC | Tracks (Cue&Log) ~ 262 Mb | Mp3 (CBR320) ~ 180 Mb | Scans included
Classical, Harp | Label: RCA Red Seal/Sony | # 88697644362 | 01:08:22

If Spanish and Latin American music is not only associated with the guitar - but also with the harp, this is due above all to the internationally acclaimed Basque harpist Nicanor Zabaleta (1907-1993). Aranjuez is Xavier de Maistre's homage to his great colleague, whom he was privileged to hear perform and to whom he owes the decisive impulse to embrace a career in music. Here the brilliant young harpist plays leading works by Spanish and Latin American composers that Zabaleta helped to promote in the form of harp transcriptions.
Rene Jacobs, Akademie fur Alte Musik Berlin - Alessandro Scarlatti: Il primo omicidio [1998]

Alessandro Scarlatti - Il primo omicidio (René Jacobs) [1998]
Classical | Harmonia Mundi 901649.50 | TT: 65.58+72.26 | EAC (flac, cue, log) | Covers | 678 Mb

The slaying of Abel by his brother Cain was one of the favourite subjects of the 18th century Italians, at the time when the oratorio was having a phenomenal success in Rome and Venice. It was most probably in one of the palaces of the “Serenissima”, and not a church, that Scarlatti first performed this astonishing “sacred entertainment”, worthy of a “verismo” opera, in 1707… God and Lucifer confront each other in the very soul of Cain, his brother’s voice is heard from heaven, and the “spatial” treatment of the tonal levels all contribute to the effectiveness of what is almost expressionistic music – there is nothing left out of this incredible Baroque Biblical “thriller”!