Album Express 5.9

MP3 Tag Express 5.9  Software

Posted by Dizel_ at Nov. 1, 2011
MP3 Tag Express 5.9

MP3 Tag Express 5.9 | 4.7 MB

MP3 Tag Express is a music tag editor that specializes in mass-modifying music tags and bulk-renaming files. Built using a wealth of editing functions, this program will enable you to edit the music tags for your audio files with ease and speed, turning hours of work into minutes. People with limited technical knowledge will appreciate the simplicity of its design, while the technically advanced will appreciate its flexibility, efficiency, and advanced power features.

Balsamiq Mockups 3.5.9 MacOSX  Software

Posted by speedzodiac_ at April 27, 2017
Balsamiq Mockups 3.5.9 MacOSX

Balsamiq Mockups 3.5.9 | MacOSX | 16.2 MB

Using Mockups feels like drawing, but because it’s digital, you can tweak and rearrange easily. Teams can come up with a design and iterate over it in real-time in the course of a meeting. Product managers, designers, developers, and even clients can now work together in the same tool to quickly iterate over wireframes, before writing code.

Balsamiq Mockups 3.5.9  Software

Posted by melt_ at April 27, 2017
Balsamiq Mockups 3.5.9

Balsamiq Mockups 3.5.9 | 40.9 Mb

Using Mockups feels like drawing, but because it’s digital, you can tweak and rearrange easily. Teams can come up with a design and iterate over it in real-time in the course of a meeting. Product managers, designers, developers, and even clients can now work together in the same tool to quickly iterate over wireframes, before writing code.

Real Hide IP 4.5.9.8  Software

Posted by melt_ at April 11, 2017
Real Hide IP 4.5.9.8

Real Hide IP 4.5.9.8 | 2.5 Mb

Did you know your IP address is exposed every time you visit a website? Your IP address is your online identity and could be used by hackers to break into your computer, steal personal information, or commit other crimes against you. Real Hide IP allows you to surf anonymously, change your IP address, prevent identity theft, and guard against hacker intrusions, all with the click of a button.

Daily Express - 5 April 2017  Newspapers

Posted by Torries at April 5, 2017
Daily Express - 5 April 2017

Daily Express - 5 April 2017
English | 64 pages | True PDF | 35 MB

L'Express - 5 au 11 Avril 2017  Magazines

Posted by crazy-slim at April 4, 2017
L'Express - 5 au 11 Avril 2017

L'Express - 5 au 11 Avril 2017
French | 148 pages | True PDF | 25 MB
Russian National Orchestra, Yakov Kreizberg - Shostakovich: Symphonies Nos. 5 & 9 (2007)

Russian National Orchestra, Yakov Kreizberg - Shostakovich: Symphonies Nos. 5 & 9 (2007)
EAC | FLAC (image+.cue, log) | Covers Included | 01:17:15 | 343 MB
Genre: Classical | Label: PentaTone Classics | Catalog: 5186096

Yakov Kreizberg's catalog with PentaTone tends to represent familiar classics, ranging from Mozart's violin concertos to Strauss' waltzes, so it's not surprising to find an account of Dmitry Shostakovich's widely acclaimed and highly accessible Symphony No. 5 in D minor included on this 2007 hybrid SACD. What's less expected is that the rest of the program is occupied by the comparatively unfamiliar Symphony No. 9 in E flat major, a far less popular work that has left many puzzled by its ambiguity.

S Magazine (Sunday Express) - 5 March 2017  Magazines

Posted by Torries at March 5, 2017
S Magazine (Sunday Express) - 5 March 2017

S Magazine (Sunday Express) - 5 March 2017
English | 84 pages | True PDF | 89 MB

Sunday Express - 5 March 2017  Newspapers

Posted by Torries at March 5, 2017
Sunday Express - 5 March 2017

Sunday Express - 5 March 2017
English | 80 pages | True PDF | 94 MB
Anne-Sophie Mutter - Beethoven: Violin Sonatas 5, 9 (2002) [SACD ISO+HiRes FLAC]

Anne-Sophie Mutter - Beethoven: Violin Sonatas 5, 9 (2002)
PS3 Rip | SACD ISO | DST64 2.0 & DST64 6.0 >1-bit/2.8224 MHz | Covers | 3.92GB + 5% Recovery
FLAC tracks 2.0 24bit/88.2 kHz | Covers | 1.26MB + 5% Recovery

This SACD transfer of Anne-Sophie Mutter’s Beethoven violin sonatas, taken from a series of live recordings from 1998, does not transcend the questionable interpretations. In each of these famous sonatas, Mutter takes excessive liberties with respect to dynamics and phrasing, and while some listeners may appreciate the thought and care she puts into these readings, it sounds as if she is trying a bit too hard to be “musical”. For example, just before the exposition repeat of the “Spring” sonata, several instances of disproportionate agogic pauses, inconsistent use of vibrato, random adherences to sforzando markings, and a sporadic disregard for (or recasting of) dynamics combine to produce an overly fussy performance that lacks momentum and a sense of direction.