Aerosmith prove that a band can be inspired by the blues and play the blues without ever feeling like a blues band. Then again, the nature of the blues is that every musician who plays it stamps his or her own identity on a set of familiar chord changes and songs. While it might not feel like the blues, Aerosmith do indeed stamp their identity on each track on their long-promised blues album, the atrociously named Honkin' on Bobo. Other rockers who have cut full-length blues albums have always played the music with a kind of scholarly reverence, taking care to pay tribute to their influences. Not Aerosmith. They turn up the amps and cut loose, playing slick and sleazy blooze-rock that feels indebted to second-generation blues-rock instead of blues forefathers.
Excellent addition to any Prog-Rock music collection
This one is the jewel of Symphonic and Psychedelic-Rock from Latin America in the early seventies.
The name of the band was “Frutos Del País”, and I could compare their music with Procol Harum, which is clearly their main influence.
Two stars together: Jonh Wetton (King Crimson, UK, Asia, etc.) and Phil Manzanera (Roxy Music), in this interesting work!