Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.”
Moving On is Oleta Adams' most straightforward and mainstream release to date. Considering that she is working with Whitney Houston and Mariah Carey's producers (Rich & Friedman and Vassal Benford, respectively), the shift in sound shouldn't come as much of a surprise. What is a surprise is how well Adams' subtle voice works in this setting, adding extra textures to the subdued arrangements. Unfortunately, that can't compensate for inconsistent material, but Moving On remains a fine contemporary soul record.
The Very Best Of Oleta Adams is a compilation album by the American vocalist, pianist and songwriter Oleta Adams. Released at the end of 1996 in Europe, this album served to finish Adams' contract with Mercury Records. It includes singles and album highlights of her albums Circle of One, Evolution and Moving On. Also included is Adams' very first single release, the duet with Tears for Fears "Woman in Chains", as well as her 1991 cover of "Don't Let The Sun Go Down On Me" for the Two Rooms album, neither of which had been included on her albums.
Reckless is the fourth studio album by Canadian singer and songwriter Bryan Adams. The album was co-produced by Adams and Bob Clearmountain, and it was one of Adams' most successful solo albums…
"Live! Live! Live!" is a live album released by Bryan Adams through A&M Records in 1988. It was recorded live at the Rock Werchter festival on 3 July 1988 in Werchter, Belgium. One track, "Into the Fire", was recorded live in Tokyo. The album sold over 1 million copies.
As Whiskeytown finally ground to a halt in the wake of an astonishing number of personal changes following Faithless Street (coupled with record company problems that kept their final album, Pneumonia, from reaching stores until two years after it was recorded), Ryan Adams ducked into a Nashville studio for two weeks of sessions with Gillian Welch and David Rawlings. While arch traditionalists Welch and Rawlings would hardly seem like a likely match for alt-country's bad boy, the collaboration brought out the best in Adams; Heartbreaker is loose, open, and heartfelt in a way Whiskeytown's admittedly fine albums never were, and makes as strong a case for Adams' gifts as anything his band ever released.