This high-speed action comedy stars Charlie Sheen as Jack Hammond, who has been given a life sentence for a bank robbery that he didn't commit. Hammond manages to escape, and while trying to avoid capture at a gas station, he ends up kidnapping Natalie Voss (Kristy Swanson); he threatens her with what she thinks is a gun, although it turns out to be a candy bar. Jack and Natalie take off in her BMW, with Jack unaware that his "victim" is actually Dalton Voss (Ray Wise), one of California's richest and most powerful land barons. Soon half the state's law enforcement officers and every member of the media is on Jack's tail as he races down the highway; in the meantime, Natalie and Jack get to know each other, and while she doesn't much care for him at first (as you might imagine), before long her attitude has softened quite a bit. Alternative rock fans might want to keep an eye peeled for Henry Rollins, playing a policeman, and Anthony Kiedis and Flea from The Red Hot Chili Peppers as a pair of yahoos with a very large truck.
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Après le succès de 'La troisième révolution industrielle' (plus de 40 000 exemplaires vendus), Jeremy Rifkin présente ici ce que sera la société collaborative de demain. Le prospectiviste de génie y dessine un nouveau paradigme favorisé par l'essor des nouvelles technologies : les communaux collaboratifs. …
…and the album as a whole would serve that goal well. It leaves the listener understanding the Renaissance sacred a cappella repertory better than he or she did before playing it. Strongly recommended. All notes and texts are in English, French, German, and Dutch.
Arthaus presents “Giselle”, a classical ballet, which, with all its splendour and grace, is generally regarded as the apotheosis of the Romantic ballet. The work premiered in the Salle de la rue Le Peletier at the Paris Opéra in 1841 and is considered the first major plot-based ballet to have survived to the modern day with its original choreography almost intact. In the course of the past century and a half “Giselle” has undergone only a few changes, e.g. by Marius Petipa, who revised the work for his 1887 production at the Maryinsky Theatre in St Petersburg. The performance recorded on this DVD is based on the St Petersburg version and was choreographed by Patrice Bart and Eugène Polyakov, two out-and-out Petipa specialists. The scenery is the work of Alexandre Benois from 1924; originally designed for Diaghilev’s Ballets Russes, it heralded the re-emergence on Western programmes of the long absent “Giselle” and to this day it remains the benchmark for traditionalist stagings of this ballet. The production was marked by an all-stars cast: Laëtitia Pujol dances the title role, combining her flawless technical skill with a fully developed sense of grace. Nicolas Le Riche, one of international ballet’s most respected stars, created her male counterpart, Albrecht, whose faithlessness drives her insane. Le Riche is famous all over the world for his elegant strength, the beauty of his expression and the musicality of his movements.