Italian historical-performance specialist violinist Frederico Guglielmo has led several different ensembles and offered various interpretive styles, as violinist and as conductor, in his approach to the violin music of the Baroque in Italy and beyond. His take on Handel's Water Music is brisk and rhythmic, but this collection of orchestral and solo violin music by the virtuoso Francesco Maria Veracini, whom the historian Charles Burney described as "capo pazzo," or crazy in the head, is a good deal quieter and more circumspect, with a small, violin-heavy ensemble that allows the wind parts to show through in the two orchestral overtures included.
Antonio Vivaldi was one of the most successful composers of the Baroque era, best known for his iconic set concertos for violin, The Four Seasons. L’Estro Armonico Op.3 is among the most important printed editions of Vivaldi’s concertos; the works immediately met with great acclaim after their publication in 1711, giving way to over 30 reprints in the subsequent 32 years.
Tartini was born in Piran, a town on the peninsula of Istria, in the Republic of Venice (now in Slovenia) to Gianantonio - native of Florence - and Caterina Zangrando, a descendant of one of the oldest aristocratic Piranian families.
At first glance, this looks like the concluding volume of a complete recording of Vivaldi’s Op. 1. But, as Michael Talbot points out in a characteristically interesting and informative note, the stronger works are concentrated within the second half of the set. Among them is the best known of the Trios from the collection, the 20 variations on the theme of Spanish origin, La follia. – Nicholas Anderson, Gramophone [5/1998].