A family scandal causes a wealthy and powerful Mexican rancher to make the pronouncement–'Bring me the head of Alfredo Garcia!' Two of the bounty-hunters thus dispatched encounter a local piano-player in their hunt for information. The piano-player does a little investigating on his own and finds out that his girlfriend knows of Garcia's death and last resting place. Thinking that he can make some easy money and gain financial security for he and his (now) fiancée, they set off on this goal. Of course, this quest only brings him untold misery, in the form of trademark Peckinpah violence.
Sounds Of Space, the title of Cuban pianist and composer Alfredo Rodriguez’ debut recording, evokes images of science fiction. In truth, it’s about a far more personal adventure. “It’s about the space that surrounds us,” he explains. “In this record I wanted to introduce myself: here are the people, the places and the sounds that have surrounded me, and made me who I am.” A key player in Rodriguez’ extraordinary story is producer Quincy Jones, who co-produced Sounds Of Space with Rodriguez.
A European recording date for Brooklyn-based Preminger, hailed across the pond as a distinctive tenor stylist with a gift for composition. Joined by the sensitive accompaniment of both fellow Brooklynite Garcia and Barcelona resident Kamaguchi, Preminger tackles a varied set of tunes. Theres a sweet (but never cloying) version of Try A Little Tenderness and a minimal Moonlight In Vermont (with a nicely understated drum solo). They step out a little further to pleasing effect on Ornettes Law Years and Monks Four In One and on the one original, Garcias Prairie Dance, but this disc never loses sight of lyricism and melody. Which is undoubtedly why Preminger is receiving such praise his playing is cool (the title track is a Warne Marsh tune), inventive, unexpected but never jarring or dissonant. In a world where innovative and edgy often means grating in a new way, Preminger is a rising star for those who like a little sugar in their coffee.