For consistently amiable, if undemanding entertainment, Albinoni’s concertos, with or without oboe, or oboes, are hard to beat. Christopher Hogwood and the Academy of Ancient Music here perform the 12 concertos contained in the collection published in 1722 as the composer’s Op. 9.
Tomaso Albinoni was a contemporary of Vivaldi in Venice, and his Concerti a cinque opus 9, published in 1722, provide ample evidence of his felicity in composition. His wife was a well-known opera singer, and his oboe concertos sound like wonderfully cantabile instrumental da capo arias: first there is an energetic fast movement, then a lyrical slow movement, followed by another fast movement that once again takes up themes from the first movement. The music is contrapuntal, harmonious, balanced and, to put it blankly, full of sheer enjoyment…
Bob van Asperen (born 8 October 1947 in Amsterdam) is a Dutch harpsichordist and early keyboard instrument performer, as well as a conductor. He graduated in 1971 from the Amsterdam Conservatory, where he studied the harpsichord with Gustav Leonhardt and the pipe organ with Albert de Klerk. Since then he has been performing extensively in Europe and the rest of the world, both as a soloist and as an accompanist/conductor.
In addition to his live performances, he has recorded repeatedly for several labels, including Sony, EMI, Teldec, Virgin, and Deutsche Harmonia Mundi, specialising in the keyboard repertoire of the 16th - 18th centuries, such as the harpsichord works of Froberger, J. S. Bach and Handel. One of the most important discography projects he has undertaken is the complete keyboard works of C.P.E. Bach and also the complete sonatas of Catalan composer Antonio Soler (Astrée, 1992). Various other projects are under way, while many of his recordings have been awarded with prestigious prizes, such as the Preis der Deutschen Schallplattenkritik and the Diapason d'Or.
This two-CD reissue contains only the complete set (of 12) that appeared in his lifetime – several dozen more are extant. Published as his Op. 4 in Venice in 1702, these chamber cantatas are typical Baroque ‘languish ’n’ anguish’ love laments, six scored for solo soprano voice, six for solo alto. They are beautifully sung by Barbara Schlick and Derek Lee Ragin.
A celebration of instrumental Baroque splendour! This set present an anthology of Italian Baroque composers, featuring their instrumental output. Obviously the famous composers have their fair share: Vivaldi, Albinoni, Locatelli, Corelli, but also lesser known composers are featured: Barsanti, Bassani, Veracini, Nardini, Stradella, Vitali, Mancini, Platti, Legrenze and many more, over 30 composers! Performances by leading ensembles specialized in the Historically Informed Performance Practice: L'Arte dell'Arco/Federico Guglielmo, Ensemble Cordia/Stefano Veggetti, Violini Capricciosi/Igor Ruhadze, MusicaAmphion/Pieter Jan Belder and many more. A treasure trove of solo concertos, concerti grossi, sinfonias, overtures, trio sonatas and solo sonatas from the Golden Era of the Italian Baroque, era of joy, passion and brilliance!
…If that's not enticement enough, suffice it is to say Zig Zag Territories' Albinoni: Sinfonie a Cinque, Op. 2, is urgently recommended for those afflicted with a taste of high-quality Baroque music and will happily appeal to less specialized musical interests who just want to hear something pleasing, yet substantial.
Xavier de Maistre is generally fêted as the artist who has managed to liberate the harp from its reputation for wonderful but very soft sounds, and establish it as a solo instrument in the concert hall. On his album "Notte Veneziana", the internationally successful harp virtuoso plays well-known concertos by the Venetian composers Vivaldi, Marcello and Albinoni in new arrangements, combining them with original compositions for solo harp such as the sonata by Giovanni Pescetti, Godefroid’s stunning set of variations on the popular tune “Carnaval de Venise”, and “La Mandoline” by 19th-century composer Elias Parish Alvars.
The English Concert is a baroque orchestra playing on period instruments based in London. Founded in 1972 and directed from the harpsichord by Trevor Pinnock for 30 years, it is now directed by harpsichordist Harry Bicket. The orchestra has been led by Nadja Zwiener since September 2007. The English Concert was founded by Trevor Pinnock and others in November 1972. The date of foundation is often given as 1973, probably because they started with seven people and only later progressed onto the orchestral repertoire as their number increased. They were one of the first orchestras dedicated to performing baroque and early classical music on period instruments, their repertoire from then to now ranging approximately from Monteverdi to Mozart…