Grumiaux's Mozart cycle remains largely unchallenged
Beethoven was the last great composer to write string trios, and his are the finest works of their type. Mozart hardly touched this particular combination, and Haydn wrote quite few very early works which are now completely unknown. In any case, Haydn used two violins and a cello, whereas with Beethoven the standard combination became violin, viola, and cello. These are all early works, expert examples of all that Beethoven learned from Haydn and Mozart in preparation for the writing of his first great string quartets. But far from being mere composition exercises, these are highly rewarding works on their own, and these outstanding performances make the best possible case for their claim to be ranked among Beethoven's chamber music masterpieces.
Together with the Talich Quartet’s accounts on Calliope, these Mozart string quintets with Arthur Grumiaux and friends represent the best currently available choices. Since the Grumiaux version was released in 1973 it has remained a stalwart of the catalog, and was previously released as part of Philips’ grandiose Complete Mozart Edition in 1991 and later was included with other chamber works in a pair of Duos issued in 1997. The analog sound has held up well compared to current standards and is perfectly acceptable, placing the musicians in a natural, believable sound-stage.
Philips 50 is a unique collection of classic recordings celebrating many of the finest performances from one of the world's great music catalogues.
Philips Classics' distinguished legacy stretches from the early 1950s to the present day and features many of the finest artists of our time. This new series captures their inspired musicianship and incomparable artistry with greater fidelity than ever before. The famous Philips sound has been further enhanced by the use of the latest 96kHz, 24-bit technology to enable new generations to appreciate once more these critically acclaimed, award-winning recordings.
Philips 50 — a wonderful harvest from 50 years of recording.
..it's a tribute to Grumiaux's magnificent musicianship, to the ever-characterful, vivacious support of Manuel Rosenthal, and to the tangy French sonority of the Lamoureux Orchestra, that I love this performance so much. –David Hurwitz
This is a must for all Bach admirers.