A comprehensive survey of classical music - for the casual listener, this might be all the classical music you need in your collection; for others this provides a starting point for further exploration. Unlike many collections of this sort, most of these 30 discs contain performances by some of biggest names in classical music. Included are: Bach's Complete Brandenburg Concertos; Vivaldi's "The Four Seasons"; Beethoven's Symphonies 5 and 9, plus the Piano Concertos #4 and 5; Symphonies by Haydn, Mozart, Schubert, Schumann, Mendelssohn, Mahler and Brahms; concertos by Tchaikovsky, Brahms, and Mendelssohn; music by Ravel, Handel, Gershwin, Debussy, Moussorgsky.
Bruckner’s majestic Symphony No. 8 overflows with lavish themes and rich sonorities, representing the composer at his grandest, whilst the Symphony’s occasional title ‘Apocalyptic’ alludes to an underlying tone of solemnity. This strong and idiomatic reading comes from a live-to-air BBC recording dating from October 1981. This is very early days in the Orchestra’s long association with Tennstedt. In true Tennstedt fashion, the sheer beauty of the sound and opulence of the textures are awe-inspiring in this triumphant interpretation. Recorded live at the Royal Festival Hall, London, on 29 October 1981.
Sir Charles Mackerras and the London Philharmonic Orchestra shared a musical heritage spanning 45 years and this live recording of Dvorák’s Symphonic Variations and Symphony No. 8 from 1992 pays tribute to a partnership that exuded a joy and vivacity in music making.
…In his late years, Wand restricted his repertoire almost exclusively to the symphonies of Anton Bruckner (which he had never conducted until he was over 60), Schubert, Brahms, Beethoven and Mozart. Wand regarded Bruckner as the "most important symphonist after Beethoven". Wand's biographer Wolfgang Seifert believes that "it is no exaggeration to say that Günter Wand has made an indispensable contribution toward the understanding of Bruckner in our time."
How good to see Riccardo Chailly so radiant at the end of this great event.It's an exhilaration he earns through sheer hard work as well as injecting the adrenalin at most of the right moments.(Majority) of the singers are excellent,from two very different but keenly-projected lyric-dramatic sopranos,Erika Sunnegardh and Ricardo Merbeth,to Georg Zeppenfeld,whose bass is rock solid and expressive across a huge range.Chailly holds attention between movements and makes you realise how many soloists within the orchestra have to sing,too.His Leader,the superb Sebastian Breuninger,assists him between blazes in the most striking of chamber-musical moments.Breuninger shares the front desk of viloins in Claudio Abbado's Lucerne festival Orchestra,but this one Mahler symphony Abbado's forces have yet to tackle,and Chailly's rendering leads the field on DVD. (BBC Music Magzine)
Shostakovich's Symphony No.8 was written in the summer of 1943, and first performed in November of that year by the USSR Symphony Orchestra under Yevgeny Mravinsky, to whom the work is dedicated. Many scholars have ranked it among the composer's finest scores. Some also say Shostakovich intended the work as a ''tragedy to triumph'' symphony, in the tradition of Beethoven, Brahms and Mahler. This release in Praga's Reminiscences series of audiophile SACD remasterings features an historic live recording from 1961 featuring Mravinsky leading the Leningrad Philharmonic.