Most of us think that Obsessive Compulsive Disorder (OCD) is just over fussy tidying. But it's actually much more serious. Sophie has to check that she hasn't killed people, looking for dead bodies wherever she goes, Richard is terrified of touching the bin, and Nanda is about to have pioneering brain surgery to stop her worrying about components on her body - that her eyebrow might not be aligned or that she has bad breath. Professor Uta Frith meets the people living with OCD, looks at the therapy available and asks what neuroscience can offer by way of a cure.
A tremendous album from flute man Sam Most – a record that really shines strongly amidst the rest of his catalog – and one that has us completely reevaluating our understanding of his sound! By the time of this set, Sam had been blowing for a few decades – most famously on Bethlehem Records sessions of the 50s, but also on a number of other records over the years – yet this album has the musician emerging as a stunningly strong voice on his instrument – playing the flute with all of these low, deep tones that are quite a change from more mainstream jazz flute of the decade – especially in fusion or crossover soul. There's a wonderfully moody vibe to the album – laidback, but never sleepy – and cast out perfectly with a group that includes Kenny Barron on piano, George Mraz on bass, Walt Bolden on drums, and Warren Smith on percussion.