The 50 Greatest Pieces of Classical Music is a selection of classical works recorded by the London Philharmonic Orchestra, with conductor David Parry. The result was solely for the digital market. This is the very first time a classical collection is recorded for digital release only and was 13th place on the Billboard classical music chart with more than 135,000 units sold (and counting).
The enigmatic Worrell continues to amaze. Like the first Dark album, Worrell's THE OTHER SIDE is absolutely uncategorizable. That he was once affiliated with the likes of George Clinton and the whole P-Funk gang is a mere footnote in the career of this iconoclastic keyboardist. Modal strains of jazz, perverted avant-noise, and organ-drenched experimental atmospheres are only a minute fraction of the chaotic and paradoxical styles etched onto this disc. In short, there's something for everyone here, but everyone should take heed–Worrell's attitudes go way beyond the expected boundaries flanking jazz and funk. His free-form personalities take hold on THE OTHER SIDE and transform it into a jaw-dropping, delightful adventure of unexplored and unexpected sonic realms.
Barcarole: Favourite Orchestral Pieces is a generous collection of Romantic gems performed by Neville Marriner and the Stuttgart Radio Symphony Orchestra, including popular selections by Georges Bizet, Pyotr Il'yich Tchaikovsky, Jacques Offenbach, Jules Massenet, Nikolai Rimsky-Korsakov, Charles Gounod, and Benjamin Godard. Because the music is mostly taken from famous operas and ballets, the album offers a mix of highly colorful and serenely beautiful pieces, though all of them are extremely tuneful and memorable.
Gil Scott-Heron's 1971 album Pieces of a Man set a standard for vocal artistry and political awareness that few musicians will ever match. His unique proto-rap vocal style influenced a generation of hip-hop artists, and nowhere is his style more powerful than on the classic "The Revolution Will Not Be Televised." Even though the media – the very entity attacked in this song – has used, reused, and recontextualized the song and its title so many times, the message is so strong that it has become almost impossible to co-opt. Musically, the track created a formula that modern hip-hop would follow for years to come: bare-bones arrangements featuring pounding basslines and stripped-down drumbeats. Although the song features plenty of outdated references to everything from Spiro Agnew and Jim Webb to The Beverly Hillbillies, the force of Scott-Heron's well-directed anger makes the song timeless. More than just a spoken word poet, Scott-Heron was also a uniquely gifted vocalist. On tracks like the reflective "I Think I'll Call It Morning" and the title track, Scott-Heron's voice is complemented perfectly by the soulful keyboards of Brian Jackson.
Styx's feisty, straightforward brand of album rock is represented best by "Blue Collar Man" from 1978's Pieces of Eight, an invigorating keyboard and guitar rush – hard and heavy, yet curved by Tommy Shaw's emphasized vocals. Reaching number 21, with the frolicking romp of "Renegade" edging in at number 16 only six months later, Pieces of Eight maintained their strength as a front-running FM radio group…