Both sets of Chopin's etudes can be as fiendishly difficult for the performer as they are mesmerizing for the listener, yet Maurizio Pollini makes them sound as if they pose no problems whatsoever for him in this 1972 recording. Every one of the etudes is played with easy precision, energy, and an entirely enjoyable musicality that demonstrates why Chopin's etudes are no mere exercises and are as suited to the recital hall as to the practice room. The Op. 25 No. 5 Etude in E minor has some tricky finger acrobatics in it, but Pollini brings out a singing melody all the same in the middle section, while adding a bit of dancing animation to the outer sections…
William Tell is Rossini's last opera, and this Romantic heroic interpretation of Schiller's epic of Wilhelm Tell among his best works. Rossini composed this opera in Paris. The original libretto was written in French, for a French audience, chorus. Parisians by reputation had more refined musical technique and tastes than their Italian counterparts and Rossini applied the best of Italian opera technique, which he had mastered and more refined and complex French musical staging which he studied and adapted during his years in Paris.
Undercurrent has long been considered one of the classic piano/guitar duo sessions, pairing Bill Evans with Jim Hall.
To be fair, if you're into the Christmas standards, this LP is NOT for you. If, however, at any point in your life you painted your nails black and hung out at a goth club, you might be intrigued by some of the interesting, and occasionally ascerbic takes on Christmas here. This is a widely eclectic collection of musical styles, from Benedictine chant to angry industrial, with a lot of very strange stops in between.
Long before No Doubt brought back ska and Big Bad Voodoo Daddy resurrected swing, Lisa Gerrard and Brendan Perry were making music that recalled an earlier time. How early? Try the Renaissance. Everything old–really old–is new again on Aion, the band's fifth and arguably finest album.
There is no question that the Viennese stamp of genuineness has remained indelibly in Reiner's readings of the music of Vienna. And it is no coincidence that in Chicago, where the orchestra was founded by Theodore Thomas and led for many years by the late Frederick Stock, the spirit of Vienna is perpetuated by several Viennese-trained members of the orchestra.( Joseph Wechsberg )
One of the first African musicians to gain widespread international recognition, Hamza El Din is a Nubian master of the oud, or the fretless lute. Western listeners are as likely as not to have been exposed to his work via the Grateful Dead, who played with him on-stage occasionally.