This disc consists of two major parts: a documentary by Miguel Vallecillo (51 minutes), consisting of songs from Paris concerts and an extended interview with Camarón; and a complementary programme (35 minutes) of other songs from the same concert series. Extras include a video clip of "Como el agua" (5 minutes), and a gallery of photographs.
Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. Less heralded than their collaboration with Thelonious Monk (as documented on Bags' Groove and Miles Davis and the Modern Jazz Giants), this August 5, 1955 session with vibraphonist Milt Jackson was Davis' last all-star collaboration before the formation of his first classic quintet. It marked a farewell to an older generation of acolytes and fellow travelers; Davis was entering a new era of leadership and international stardom, and generally he would only record with his working groups.
Reissue features the latest digital remastering and the high-fidelity SHM-CD format (compatible with standard CD player) and the latest DSD / HR Cutting remastering. Comes with a description. Features the original LP designs. A Touch of Taylor is an album by American jazz pianist Billy Taylor recorded in 1955 for the Prestige label. The album was one of the first 12-inch LPs released by the label.
Reissue with the latest remastering. Comes with liner notes. Grand Prix Du Disque De L'académie Charles Cros 1959. Recorded at the celebrated Club Saint Germain, the formation presented here marks the third incarnation of Art Blakey’s Jazz Messengers, with trumpeter Lee Morgan (then only 20 years old), tenor saxophonist Benny Golson, pianist Bobby Timmons and bassist Jymie Merrit. For the last two tunes, bop drum pioneer Kenny Clarke (who was living in Paris) substitutes Blakey. Besides the individual gifts of each member, the group forms a compact unit with a cohesive sound. “We play modern jazz”, explained Blakey during a 1958 interview, “and to understand it you mus listen. We study, we rehearse. The Jazz Messengers are very serious about getting the music across to you. If you don’t want to listen, maybe the person sitting next to you does.”
Reissue with DSD remastering. Comes with liner notes. Beautiful early work from Weather Report – one of the finest statements ever uttered by group, and a set that's got a bit more soul and warmth than their first album! The lineup's changed slightly at this point – still Wayne Shorter on reeds, Joe Zawinul on keyboards, and Miroslav Vitous on bass – but Eric Gravatt has replaced Alphonse Mouzon on drums, and Dom Um Romao's taken over for Airto on percussion – giving the record an even earthier feel at times!
Willie Nile, The Bottom Line Archive 1980-2000, is two disc set, separated by a 20 year gap, and is a great example of Nile's long term staying power, and the loyalty that Bottom Line owner/curator, Allan Pepper (booker, or talent buyer does not suffice) extends to the artists that he really believes in. Exhibit a is this double-disc affair, highlighting two distinct eras in Nile's 35-year career. It is worth noting that one of the primary reasons we can enjoy the temporal contrasts contained in this collection is simply because, when Willie was ready to come back, Allan Pepper was just as ready to welcome him back to The Bottom Line. It was a second home for me, gushes Nile. Allan and the whole vibe of the club was so musician-friendly and warm. It was just the best place to play for that reason.
Verve 60th Rare Albums SHM-CD Reissue Series. Reissue with SHM-CD format. A combination of three sessions with three different small backing groups available currently on a Japanese CD – this is an early revealing example of Anita O'Day's growth as a jazz artist since her days as a big band thrush. Her virtuosity at fast tempos is right on the dot, and she is fearlessly willing to take wide-open liberties with the melodies.
This 2012 box set rounds up Blake Shelton's first five albums – Blake Shelton, The Dreamer, Blake Shelton's Barn & Grill, Pure BS, and Startin' Fires – presenting them as mini-LPs in a slipcase. There are no bonus tracks but this is an easy, affordable, and handsome way to get Shelton's prime.
Great work from Gloria Coleman – an overlooked genius on the organ, and part of an elite group of female keyboardists that includes Shirley Scott, Rhoda Scott, and Trudy Pitts! Coleman almost never got the chance to record, but clearly had a sharpness that was honed from years in the clubs – a tight, soulful approach to the instrument that also has her working the bass pedals as strongly as the keys – and an ability to sing at all the right times, in a soul-drenched mode that's even deeper than the vocalizations of Trudy Pitts on her late 60s albums for Prestige. The group's got James Anderson on tenor, Dick Griffin on trombone, Ray Copeland on flugelhorn, and Earl Dunbar on guitar – and titles include the funky "Bugaloo for Ernie", a great version of Kenny Dorham's "Blue Bossa", Blue Mitchell's "Fungi Mama".