The French label Barclay Records, with which singer/songwriter Jacques Brel was associated for most of the 1960s and '70s, released a compilation of recordings of his songs in March 2004 that differs significantly from this U.S. edition. The French version of Next Brel has 15 tracks to the American 12, but that doesn't mean simply that three tracks have been deleted. In fact, there are six tracks on the French album not found on the American one: "If We Only Have Love," by Dionne Warwick; "Amsterdam," by Anne Watts; "If You Go Away," by Emiliana Torrini; "Next," by Gavin Friday & the Man Seezer; "The Desperate Ones," by Nina Simone; and "Seasons in the Sun," by Terry Jacks (a number one hit in the U.S.).
Romy Monteiro earned a high last year rolled her role in 'The Bodyguard', the musical adaptation of the film with Whitney Houston. This spring, the CD "A Tribute To Whitney"out, as a tribute to the legendary singer Whitney Houston, who died five years ago.
Vitamin takes on the brood and sway of Depeche Mode with this string quartet tribute, running through nine of the band's songs with the aid of violin, cello, acoustic bass, viola, and a bit of percussion. Like most string interpretations of pop music, the album can grow tedious over the long haul. However, there's plenty to like incrementally, especially for fans. Highlights include "Personal Jesus," with its hint of mouth percussion during the breakdown, and the violins aping the tradeoff vocals of "Master and Servant." There are a few glaring omissions – "Everything Counts" and "Policy of Truth" among them. Even still, Depeche Mode completists should get a kick out of the novelty and slight decadence of this collection.
Charlie Sepúlveda is trumpeter of power and nuance. On this recording, Sepúlveda takes on the challenge of preserving culture without being trapped by it.
He can take a tried-and-true classic like "Besamé Mucho," and instead of falling into the routine he completely modernizes it, stripping the tune of his sometime over-emphasized bolero rhythm and makes something completely new and communicative.
As persistency goes, one must give credit where it is due to the Vitamin imprint. Their rigorous schedule of releases assures the public that there will be, at bare minimum, one to two releases per month paying homage to a current pop icon or legendary rock figure. With this installment, the label looks to honor one of grunge's most revered albums, if not the most revered album of the era: Nirvana's Nevermind. Stripped of the brutal percussion work, the squelching fierce attack of Kurt Cobain's guitar mastery and his trademark screams, the quartet find and emphasize layer after layer within the simplicity of Cobain's melodies and song arrangements. While some songs don't transfer over well in the process, others work quite nicely. While most people can easily dismiss this as a novelty (and to a degree, it is), there are interesting aspects to this album that the die-hard Nirvana fan will find intriguing and enjoyable.