An unusually enchanting album, even for John Renbourn; The Enchanted Garden is a follow-up to the John Renbourn Group's 1977 A Maid in Bedlam, devoted to medieval and Renaissance dance and classical music, as well as folk material and Indian ragas…
GRAMMY-nominated bassist Nathan East‘s forthcoming album Reverence released on January, 2017 via Yamaha Entertainment Group. As a founding member of renowned contemporary jazz quartet Fourplay, Nathan East is one of the world’s most recorded session bassists. With over 2,000 album credits to his name and several GRAMMY-winning songs including “Get Lucky,” “Footloose” and “Change the World,” East has performed with artists including Daft Punk, Lionel Richie, Michael Jackson, Whitney Houston & Beyonce. He received a GRAMMY nomination for Best Contemporary Instrumental Album for his self-titled solo debut Nathan East.
This reissue of a classic underground Paris Latin jazz/funk album is welcome to the hundreds who have sought it out at unbelievably high prices on the collector's market. Recorded in 1970 and issued by Barclay in 1971, Paris Soul is an album that wears the test of time well. The steaming orchestral arrangements by Evaristo Nata's steaming orchestral arrangements blends some Afro-Cuban flavors (such as the Santana tribute "Salute to Santa," on which they bite a chunk from "Oye Como Va" and bend it into a near salsa jam), some Brazilian samba, Memphis soul, and post-bop jazz soloing to achieve a smoky, sexy, funky groove. There are 120 tunes here, and all of them are deep, fat, and greasy with groove. The band members, apart from their arranger, are anonymous, but it hardly matters; this isn't the kind of record you're going to put on to analyze what's happening musically. While it's complex and beautiful, you'll be throwing this on either at home or the party in order to move on the dance floor.
The Franco-Flemish composer, Johannes Ockeghem, sang at Antwerp at the Bourbon court before joining the French royal chapel in 1451. Ockeghem spent most of his professional life at the French chapel and his output was quite prolific. He composed 14 settings of the Mass, including one of the earliest polyphonic versions of the Requiem. Ockeghem also composed numerous motets and secular songs. He was one of the most original voices in early Renaissance polyphony and his music dazzles with its ingenuity and beauty.