78 lp

Van der Graaf Generator - Collection 1970-78 (8 Albums, 9CD) [Japan LTD (mini LP) SHM-CD, 2013] Re-up

Van der Graaf Generator - Collection 1970-78 (8 Albums, 9CD) [Japan LTD (mini LP) SHM-CD, 2013]
EAC Rip | FLAC: Image+Cue+Log | 3.6 Gb | MP3 CBR 320 kbps | 1.5 Gb | Scans | 2.1 Gb | TTime: 08:33:18
Universal Music Japan | TYCP-80009~17
Progressive Rock, Psychedelic Rock, Art Rock, Experimental

Van der Graaf Generator are an English progressive rock band, formed in 1967 in Manchester by singer-songwriter Peter Hammill and Chris Judge Smith and the first act signed by Charisma Records. They did not experience much commercial success in the UK, but became popular in Italy during the 1970s. In 2005 the band reformed, and continue to perform as of 2014.
Atlanta Rhythm Section - Underdog (1979) + The Boys from Doraville (1980) 2 LP in 1 CD, Remastered 2010

Atlanta Rhythm Section - Underdog (1979) + The Boys from Doraville (1980) 2 LP in 1 CD, 2010
EAC | APE | Image (Cue&Log) ~ 465 Mb | Mp3 (CBR320) ~ 180 Mb | Scans included
Southern Rock, Classic Rock, Pop Rock | Label: BGO | # BGOCD918 | 01:16:57

The eighth and ninth studio albums (there was a live recording between them) from the Atlanta Rhythm Section got a belated U.K. CD release in 2010. These closed out the act's affiliation with Polydor Records and are condensed onto a single CD here, as well as digitally remastered. It's another in the classy series of ARS reissues from BGO, which has treated the Southern pop act's catalog with utmost respect on four previous discs that bring the group's original albums back in print for collectors and music fans who want more than the 17 hits on Polydor's well-chosen 1982 vintage Best Of. Liner notes from Campbell Devine tend to be fawning but include a comprehensive history of the band, recounting its story leading up to and even after the recording of these tunes. Musically, ARS captured a unique style halfway between the smooth West Coast pop of the late '70s and the Southern rock of the era.
Barry McGuire feat The Mamas and The Papas - This Precious Time (1965) + The World's Last Private Citizen (1968) 2 LP in 1 CD

Barry McGuire featuring The Mamas and The Papas - 'This Precious Time' (1965)
+ 'The World's Last Private Citizen' (1968) 2 LP in 1 CD, 2009

EAC | FLAC | Image (Cue&Log) ~ 449 Mb | Mp3 (CBR320) ~ 166 Mb | Scans included | 01:05:40
Singer/Songwriter, Folk Rock, Pop/Rock | Label: Collector's Choice Music | # CCM-2053

Although former New Christy Minstrels singer Barry McGuire scored a fluke novelty hit with the Bob Dylan-styled folk-rock protest anthem "Eve of Destruction" in the summer of 1965, neither he nor producer Lou Adler's startup label Dunhill Records seems to have had a long-term plan for his solo career beyond trying to score another hit single. Naturally, Dunhill quickly issued an Eve of Destruction LP, filling the tracks with McGuire covers of recent folk hits and more originals by P.F. Sloan, who'd penned the hit. Sloan also wrote the follow-up singles "Child of Our Times" and "This Precious Time," neither of which made the Top 40. By the end of the year, Dunhill had another McGuire LP, This Precious Time, again mixing Sloan songs with other people's hits like "Do You Believe in Magic" and "Yesterday." That is the first of two McGuire albums combined on this two-fer CD reissue.

Bruce Cockburn - Bruce Cockburn (1970) Japanese Mini-LP 2007  Music

Posted by Designol at Jan. 20, 2017
Bruce Cockburn - Bruce Cockburn (1970) Japanese Mini-LP 2007

Bruce Cockburn - Bruce Cockburn (1970) Japanese Mini-LP 2007
EAC | WV | Image (Cue&Log) ~ 244 Mb (incl 5%) | Mp3 (CBR320) ~ 125 Mb (incl 5%) | Scans Included
Singer/Songwriter, Folk Rock, Progressive Folk | Label: Air Mail/True North | # AIRAC-1412 | 00:37:12

Bruce Cockburn's self-titled debut's blend of diversity, enthusiasm, and innocence never quite resurfaced again in his work, especially in his more clinical, politically inclined tracts of later decades. The opening number, "Going to the Country," still evokes that hippie-esque, back-to-the-earth movement as well as any song ever recorded, complete with a sly wink that keeps it fresh to this day. And since this was 1970, the album also comes equipped with some of those quaint excesses of the period; try the nasal tone poem gracing "The Bicycle Trip." "Musical Friends" remains a lively, happy-go-lucky classic with piano signature lifted from Paul McCartney's playbook; it's difficult to picture the dour Cockburn of more recent years ever having this much fun. In contrast, "Thoughts on a Rainy Afternoon" offers a trance-like, introspective atmosphere reminiscent of British folkie legend Nick Drake.

LP Magazin - Februar-März 2017  Magazines

Posted by Torries at Jan. 16, 2017
LP Magazin - Februar-März 2017

LP Magazin - Februar-März 2017
German | 117 pages | True PDF | 47 MB
Bennie Maupin - Slow Traffic To The Right & Moonscapes (2011) {Vocalion CDSML8485 rec 1977-78}

Bennie Maupin - Slow Traffic To The Right & Moonscapes (2011) {Vocalion CDSML8485 rec 1977-78}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 397 Mb | MP3 @320 -> 153 Mb
Full Artwork @ 300 dpi (jpg) -> 17 Mb | 5% repair rar
© 1977-78, 2011 Mercury / Vocalion CDSML8485
Jazz / Fusion / Jazz Funk / Post Bop / Flute / Reeds

A pair of funky jazz sets from Bennie Maupin – '77's Slow Traffic To The Right and '78's Moonscapes – together in a single set! Slow Traffic To The Right is Maupin's first LP for Mercury, and a great bit of spiritual funky jazz that recalls a lot of the sound of his work with The Headhunters. The first track, "It Remains to Be Seen", is an excellent groover, with some very dark keyboard work by Patrice Rushen, and the rest of the tracks are pretty great too. Pat Gleeson produced and plays synth on the LP, and the cuts include "Quasar", "You Know the Deal", "Water Torture", and "Lament".
Lennie Niehaus - Volume 5: The Sextet (1956) {Contemporary-Victor Japan Mini LP VICJ-41700 20bit K2 rel 2006}

Lennie Niehaus - Volume 5: The Sextet (1956) {Contemporary-Victor Japan Mini LP VICJ-41700 20bit K2 rel 2006}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 153 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (jpg) -> 78 Mb | 5% repair rar
© 1956, 2006 Contemporary Records / Victor Japan | Mini LP | VICJ-41700 | 20bit K2 remaster
Jazz / Cool / Bop / Saxophone

It was a sad day for cool jazz when Lennie Niehaus made film music – not jazz – his primary focus. From a jazz standpoint, the Los Angeles resident had so much going for him. Niehaus had an attractive tone along the lines of Lee Konitz and early Bud Shank, and he was a talented arranger to boot. Produced by Lester Koenig in L.A. in 1956, Lennie Niehaus, Vol. 5: The Sextet is quite representative of Niehaus' Contemporary output of the 1950s. This album finds Niehaus leading a sextet that boasts Bill Perkins on tenor sax and flute, Jimmy Giuffre on baritone sax, Stu Williamson on trumpet and valve trombone, Buddy Clark on upright bass, and Shelly Manne on drums – in other words, the cream of the southern California crop.
Nina Simone - Nina Simone Sings The Blues (1967) Japanese Mini-LP, 2004

Nina Simone - Nina Simone Sings The Blues (1967) Japanese Mini-LP, 2004
EAC | FLAC | Tracks (Cue&Log) ~ 226 Mb (incl 5%) | Mp3 (CBR320) ~ 98 Mb (incl 5%) | Scans included
Blues, Soul-Blues, Vocal Jazz | Label: BMG/RCA | # BVCJ-37368, 82876-60795-2 | Time: 00:32:35

Nina Simone Sings the Blues, issued in 1967, was her RCA label debut, and was a brave departure from the material she had been recording for Phillips. Indeed, her final album for that label, High Priestess of Soul, featured the singer, pianist, and songwriter fronting a virtual orchestra. Here, Simone is backed by a pair of guitarists (Eric Gale and Rudy Stevenson), bassist (Bob Bushnell), drummer (Bernard "Pretty" Purdie), organist (Ernie Hayes), and harmonica player who doubled on saxophone (Buddy Lucas). Simone handled the piano chores. The song selection is key here. Because for all intents and purposes this is perhaps the rawest record Simone ever cut. It opens with the sultry, nocturnal, slow-burning original "Do I Move You," which doesn't beg the question but demands an answer: "Do I move you?/Are you willin'?/Do I groove you?/Is it thrillin'?/Do I soothe you?/Tell the truth now?/Do I move you?/Are you loose now?/The answer better be yeah…It pleases me…." As the guitarists slip and slide around her husky vocal, a harmonica wails in the space between, and Simone's piano is the authority, hard and purposely slow.
Savoy Brown - 'Street Corner Talking' (1971) + 'Hellbound Train' (1972) 2 LP in 1 CD, Remastered 2006

Savoy Brown - 'Street Corner Talking' (1971) + 'Hellbound Train' (1972) 2 LP in 1 CD, 2006
EAC | FLAC | Image (Cue&Log) ~ 514 Mb (incl 5%) | Mp3 (CBR320) ~ 184 Mb (incl 5%) | Scans ~ 71 Mb
Blues Rock, British Blues, Classic Rock | Label: BGO | # BGOCD717 | Time: 01:16:37

2006 digitally re-mastered two-fer from the legendary Savoy Brown featuring two of their most popular albums (Street Corner Talking from 1971 and Hellbound Train from '72). The line-up on these albums feature the ever-present Kim Simmonds on guitar with Dave Walker (vocals), Andy Sylvester (bass), Paul Raymond (keyboards) and Dave Bidwell (drums), all of the formerly of Chicken Shack! Standard jewel box in a slipcase with extensive liner notes.
John Lee Hooker - John Lee Hooker (The Galaxy LP) (1962) {Soul Jam Records Remastered & Expanded 2016}

John Lee Hooker - John Lee Hooker (The Galaxy LP) (1962) {Soul Jam Records Remastered & Expanded 2016}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 265 Mb | MP3 @320 -> 136 Mb
Full Artwork @ 300 dpi (png) -> 51 Mb | 5% repair rar | 24bit remastered
© 1962, 2016 Galaxy / Fantasy Records / Soul Jam Records | 600876
Blues / Electric Blues / Acoustic Blues / Blues Revival / Delta Blues

This Soul Jam release presents one of Hooker's most difficult to find albums on CD, the eponymous John Lee Hooker. It was originally released in 1962 by the Fantasy Records' subsidiary Galaxy label. The album includes a selection of hard-to-find recordings taped with his electric guitar during different sessions in the 1950s, all of them produced by Bernard Besman, the man who helped define Hooker's recorded sound, which has often relied upon heavy walking beats, boogies, and an eerie atmosphere. In addition to the original masterpiece, this remastered collector's edition also contains 8 bonus tracks from the same period.