Deluxe 71 disc box set that contains 52 single CD and double CD albums (which includes the previously unreleased full-length audio version of his 1970 Isle Of Wight performance). The essay is complemented by brief annotations written by Franck Bergerot, covering every single one of the 52 albums. The cornerstones of the box set are the studio and live albums that were released during his tenure at the label, more than 40 titles that he recorded in the 1950s, '60s, '70s and '80s.
"Results" is the 1989 Liza Minnelli studio album produced by Pet Shop Boys and Julian Mendelsohn. The album was a success in the United Kingdom, where it reached #6 on the UK Albums Chart and was certified Gold by BPI (promoted by the lead single, "Losing My Mind," which reached #6 on the UK Singles Chart). Results also reached #13 in Spain and was certified Gold there. The album was less successful in the United States, peaking only at #128 on the Billboard 200.
John W. Johnnie Pate (born December 5, 1923, Chicago Heights, Illinois) enjoyed a notable career as a bassist from the late 40s up until the early '60s in the Chicago area, gaining a solid reputation as a strong player in the Oscar Pettiford mold and enlightened composer. On these 1954-1956 sessions for the Talisman and Gig labels, he leads a trio featuring Ronnell Bright, who was a swift, resourceful young pianist whose style recalls the early Oscar Peterson. With drummer Charles Walton, this bright, polished and swinging trio began to be recognized while working first at the London House and then at the Blue Note, where they were the house band in 1954-1955 accompanying great singers such as Lurlean Hunter, Ella Fitzgerald, Sarah Vaughan, Audrey Morris and Carmen McRae.
11 CD collection includes: Spoke (1997); The Black Light (1998); Hot Rail (2000); Even My Sure Things Fall Through (2001) EP; Feast Of Wire (2003); Convict Pool (2004) EP; Black Heart (2004) Maxi Single; In the Reins (with Iron And Wine) (2005) EP; Garden Ruin (2006); Carried To Dust (2008); Algiers (2012).
After a delay of more than 20 years, there's a new album from one of West Africa's great dance bands. Formerly known as TP Orchestre Poly-Rythmo de Cotonou – TP standing for "tout puissant" or "all powerful", and Cotonou being the largest city in Benin – they started in the late 60s, recorded dozens of albums, but took decades to achieve international recognition. A series of compilation albums led to their eventual discovery by Western audiences, and the reformed band gave their first UK concert in 2009. This new album features several of those who played with Poly-Rhythmo in the 60s and 70s, and it's a rousing, varied affair.
Hooker was already being hailed as a living legend in the '60s, but by the time of this 1986 release he was a larger-than-life figure, his iconic stature unquestioned. From his earliest collaborations with Canned Heat and on through the '70s and '80s, the rock world never got tired of trying to endear Hooker to a crossover audience. JEALOUS is an attempt to adapt Hooker's lonesome blues to full-band arrangements. Unlike his band recordings of the '50s, though, there's a decided rock edge to his accompaniment here, providing a sharp contrast to the down-home, earthy sound of Hooker's voice and guitar. Organ, electric guitar, and a forceful rhythm section baked in reverb back Hooker on JEALOUS. Instead of overpowering Hooker, though, these new arrangements place the bluesman on a sonic pedestal, from which he sounds like the voice of God dispensing wisdom through the blues.