UK compilation from the British Rock legends featuring 20 of their classic '60s hits for the Pye label. Includes 'You Really Got Me', 'All Day And All Of The Night', 'Tired Of Waiting For You', 'Till The End Of The Day', 'Dedicated Follower Of Fashion', 'Lola', 'Victoria' and many others.
Roden was singer with the Alan Bown Set ('60s) and Bronco ('70s) before going solo on the Island label. Only two Roden albums have ever been available on CD anywhere in the world. This CD picks the best of his six albums for Island and is the first best of on either vinyl or CD. Roden has sung/played on albums by Robert Palmer, Paul Kossoff, John Martyn, Mott the Hoople and Jim Capaldi and came from the same West Midlands music scene as Led Zeppelin. He stepped into the late Jim Morrison s shoes when remaining Doors became the Butts Band and worked with legendary New Orleans producer Allen Toussaint.
Hits And Pieces The Best Of Marc Almond And Soft Cell traces Almond's singles career from Soft Cell through to his solo work and collaborations. Almond has always excelled at recording superb singles he has secured a body of work that encompasses truly outstanding originals, covers and duets. Highlights of Hits And Pieces include Tainted Love, What!, Say Hello Wave Goodbye, the Number One reaching Gene Pitney duet Something's Gotten Hold Of My Heart, his interpretation of Scott Walker's cover of Jacques Brel's Jacky with its epic kitchen sink production from Trevor Horn, a cover of Donna Summer's I Feel Love…
Some find Karen Dalton's voice difficult to listen to, and despite the Billie Holiday comparisons, it is rougher going than Lady Day. But Dalton's vocals aren't that hard to take, and they are expressive; like Buffy Sainte-Marie, it just does take some getting used to because of their unconventional timbre. Her debut album has a muted folk-rock feel reminiscent of Fred Neil's arrangements in the mid-'60s, unsurprising since Neil's Capitol-era producer, Nick Venet, produced this disc too, and since Dalton, a friend of Neil, covered a couple of Neil songs here ("Little Bit of Rain," "Blues on the Ceiling"). Although clocking in at a mere ten songs, it covers a lot of ground, from Tim Hardin, Jelly Roll Morton, and Leadbelly to the traditional folk song "Ribbon Bow" and the Eddie Floyd/Booker T. Jones-penned soul tune "I Love You More Than Words Can Say." The record is interesting and well done, but would have been far more significant if it had come out five years or so earlier. By 1969 such singers were expected to write much of their own material (Dalton wrote none), and to embrace rock instrumentation less tentatively.
French exclusive 13-track CD album compiling the best work from the legendary progressive freaksters including key cuts from Camembert Electrique Flying Teapot and Angels Egg; sealed digipak sleeve. Anarchic, experimental, and whimsical ensemble originally led by guitarist Daevid Allen, a founding member of the Soft Machine.
Polydor wised up with this 1997 expanded version of their 1990 set, The Very Best of the Bee Gees, in that they took the collection and added nine tracks (from 12 to 21), intensifying the study of the impressive depth and breadth of the Bee Gees catalog. The collection runs chronologically from the group's late-'60s folk-pop period through their legendary disco contributions, thus tracing the arc of the Gibbs brothers' diverse career via their influence on pop culture and vice versa. The collection is then topped off by two late-'80s cuts that sit alongside the collection remarkably well and serve as a reminder that the Bee Gees were much more than the definition of disco, but continued to write some great songs regardless of production or arrangement.
Features 24 bit remastering and comes with a mini-description. Quite possibly the best album to feature the talents of Chico Hamilton and Eric Dolphy – a set recorded at a time when Dolphy was an up-and-coming player on the west coast scene! Although Chico Hamilton had recorded with unusual reed players before, Dolphy brings a depth of soul and spirit to this album that's missing from a lot of Chico's earlier work at the time – a style that still holds onto some of the measured qualities of the Pacific Jazz work by the Hamilton group, yet which also opens up into some of the darker corners that Dolphy would explore more on his own recordings of the 60s.