Iconic Jazz artist Erroll Garner's greatest concert album and one of the best selling jazz albums of all time, The Complete Concert By The Sea celebrates the 60th Anniversary of the original concert from September 19, 1955. The complete live concert recording newly uncovered by the Erroll Garner Jazz Project and digitally remastered in its entirety after six decades is produced by Guggenheim Award-winning jazz pianist and Director of Jazz Studies at the University of Pittsburgh Geri Allen and 4-time GRAMMY Award-winning producer Steve Rosenthal. The 3-CD box set contains the complete live Concert By The Sea including 11 previously unreleased tracks, the original edited Columbia release from 1956 and bonus material including announcer Jimmy Lyons and interviews with the Erroll Garner trio: Denzil DaCosta Best, Eddie Calhoun, and Garner himself, recorded directly after the concert.
Originally recorded in stereo in 1978 and 1979 and released on two separate LPs, these performances of Bach's Orchestral Suites (also known as the Overtures) with Trevor Pinnock leading his English Consort were as good as it got at the time for period instrument performances. And this 2007 single-disc re-release does not change that assessment. The Consort's strings are dry but warm – check out the Air from the Third Suite – the winds are colorful and quirky – check out the Forlane from the First Suite – the brass is controlled but cutting – check out the Ouverture from the Fourth Suite – and the timpani is vivacious but thankfully not overwhelming – check out the Réjouissance, also from the Fourth Suite. Pinnock's conducting is almost universally light and lively, and when it's not in the Second Suite, it's because the music itself is dark and dreary. Although there are dozens of great performances of the suites to choose from, if you're only going to have one recording on the shelf, it should be Pinnock's.(James Leonard)
After an auspicious beginning with the Chick Webb band and long solo run featuring a celebrated string of songbook albums on Verve (Cole Porter, George Gershwin, Rodgers & Hart, etc.), Ella Fitzgerald maintained her high profile from the mid-'60s onward, mostly by touring the world and - to a lesser extent - recording a series of enjoyable dates for Pablo. This informal-sounding, never before released Stockholm concert recording from 1966 shows why Fitzgerald as primarily a live performer is not such a bad thing. Backed by Duke Ellington's orchestra and her own trio of pianist Jimmy Jones, bassist Joe Comfort, and drummer Gus Johnson, she shows off her incredible interpretive skills on a mix of standards heavy with Ellington and Strayhorn classics…
This disc brings together recordings made in the 1980's as part of a reduction of three original discs down to two. At the same time, the original fine recordings have been remastered to good effect with added depth and space. This makes a particularly important improvement to the Coronation Anthems which previously came over as sonically lacking ideal breadth, depth and recorded weight in Zadok. The ears adjusted after that.