Considering that Max Richter's soundtrack work far outpaces the rate at which he releases his own albums, this Deutsche Grammophon collection of four of his earliest works is a welcome reminder of their magic. Retrospective gathers his instant-classic, Franz Kafka-inspired 2004 album The Blue Notebooks, which features the Tilda Swinton collaboration "On the Nature of Daylight" and introduced Richter's expressive mix of classical and electronic music to many listeners; the like-minded Songs from Before, which featured Robert Wyatt reading Haruki Murakami texts over Richter's sensitive, piano-driven compositions; 24 Postcards in Full Colour, an eclectic and emotive collection of ringtone-inspired miniatures; and Infra, a piece composed for the Royal Ballet and inspired in equal measure by T.S. Eliot's The Waste Land and Franz Schubert's Winterreise. The collection also includes bonus tracks for each album, including a full orchestral version of "On the Nature of Daylight" and an essay by Paul Morley. Retrospective offers a wonderful way for fans to experience these albums to their fullest, and for newcomers to learn what all the fuss is about.
Grammy-nominated artist Max Emanuel Cencic presents Nicola Porpora: Opera Arias, to commemorate the 250th anniversary of Porpora’s death.
Max Richter has written a new landmark recording: SLEEP is 8 hours long – the equivalent of a night’s rest – and is actually and genuinely intended to send the listener to sleep. "It’s an eight-hour lullaby," says Max. The ground-breaking new work is scored for piano, strings, electronics and vocals – but no words. "It’s my personal lullaby for a frenetic world," he says. "A manifesto for a slower pace of existence."