Paru le : lundi 26 décembre 2011
A la une dans ce numéro : L'essentiel de la photo en 2012
Et également : expos 2012 la vie en rose les émotions invisibles…
Despite its moronic libretto, the opera was an enormous success at its premiere in Naples in 1822, and even Bellini wrote nice things about the second-act septet. Donizetti mixes buffo and serious characters, as well as Neapolitan dialect (there are no recitatives; numbers are separated by spoken dialogue) with “pure” Italian, and the absurd plot is (sort of) held together by the clever Argilla, who under the guise of telling fortunes gains entry to people’s feelings as well as to every area of the castle. Is it a masterpiece? Even close? No, but there are niceties galore–rhythmic arias and ensembles, good (if typical) characterizations, and good tunes.
50 Best is a series of 3-CD sets which feature genres of music ranging from symphonies, concertos and solo instrumental works to chamber music, songs and operas.
Jean-Marie Leclair, a pure product of the 18th century, was at the crossroads of styles, cultivating a virtuosic art combining melodies à la française and Italian virtuosity stemming from Corelli and Vivaldi. He was 49 when he undertook his first (and only) lyric tragedy: Scylla et Glaucus. In the greatest French tradition, this work combines sumptuous numbers of sentimental outpourings with frightening scenes of fury and terror, in which the orchestra, with forceful passages, plays a dazzling role.