Sonny Stitt goes Latin – and the results are tremendous! The set's still got all the soulful feel of the best Stitt sessions for Roost, but it brings in some nice Latin rhythms too – inflecting things with that blend of soul jazz and congas you might find over at Prestige or Blue Note, yet also taking things further, too – given the Roost/Roulette connection to the New York Latin scene! Sonny plays both alto and tenor, and gets jazzy accompaniment from Thad Jones on trumpet – but the rhythm section is the real charmer here – and features a young Chick Corea on piano, Larry Gales on bass, and the trio of Willie Bobo, Patato Valdes, and Chihuaua Martinez on percussion! Most tunes are originals – a great change from the usual Latinized standards you might find on a set like this – and Stitt's got this nicely exotic tone in his reeds which is a further highlight of the record – almost a Yusef Lateef inflection at points.
Creedence Clearwater Revival was an American rock band active in the late 1960s and early 1970s. The band consisted of lead vocalist, lead guitarist, and primary songwriter John Fogerty, his brother rhythm guitarist Tom Fogerty, bassist Stu Cook and drummer Doug Clifford. Their musical style encompassed the roots rock, swamp rock, and blues rock genres. The band performed at 1969's famed Woodstock Festival. The band has sold 26 million albums in the United States alone. Rolling Stone ranked the band 82nd on its list of the 100 greatest artists of all time.
Richard Leech has sung his Raoul to enthusiastic audiences in Berlin and elsewhere, and it is good to hear a voice which has such a clean ring to it, evenly produced and tastefully directed (even if not invariably observing Meyerbeer's detailed instructions). The Valentine is Francoise Pollet, an exceptional singer (especially among the French) in the sympathetic roundness of her tone, exactly right for a good nine-tenths of the role (the remaining fraction calling for more rejoicing on the high Cs). As Nevers, the excellent Gilles Cachemaille gives a courtly, well-schooled performance. (Gramophone)
Many of Airto Moreira's records from the late 1970s and early '80s get an undeserved bad rap because of their obvious – and intended – commercial appeal. Though he came to prominence in America as a member of Miles Davis' early electric bands, Moreira was an established artist in Brazil; one who sought to marry the sounds of his nation's folk traditions with all kinds of popular music. 1979's Touching You…Touching Me was recorded during his Warner period, and is perhaps his most polished record. Self-produced, he learned much of the technique he employed from the best-selling recordings of the time in all pop genres.
The eighteenth century is probably the most extraordinary period of transformation Europe has known since antiquity. Political upheavals kept pace with the innumerable inventions and discoveries of the age; every sector of the arts and of intellectual and material life was turned upside down. Between the end of the reign of Louis XIV and the revolution of 1789, music in its turn underwent a radical mutation that struck at the very heart of a well-established musical language. In this domain too, we are all children of the Age of Enlightenment: our conception of music and the way we ‘consume’ it still follows in many respects the agenda set by the eighteenth century. And it is not entirely by chance that harmonia mundi has chosen to offer you in 2011 a survey of this musical revolution which, without claiming to be exhaustive, will enable you to grasp the principal outlines of musical creation between the twilight of the Baroque and the dawn of Romanticism.
Blind Melon is an American rock band formed in formed in Los Angeles, California by two musicians from Mississippi and one from Indiana. Best remembered for their 1993 single "No Rain", the group enjoyed critical and commercial success in the early 1990s with their neo-psychedelic take on alternative rock.