Featured by Madonna, Jody Watley, Breakfast Club, Fleetwood Mac, Club Nouveau, Prince, Paul Simon, Boston, Anita Baker, Andy Taylor and many more.
CD replicas of original singles and EPs from the '50s and '60s have been a hot item in collectors' circles since the latter half of the '90s, yet they remain a rather bewildering item to a wider audience. After all, for listeners who don't fetishize original packaging – the photo sleeves, the shifting logos on the label – it's hard to grasp the purpose of a set that contains 40 songs spread out over 20 discs, as they are on Elvis #1 Singles, a set that rounds up 20 of the King's chart-topping hits and serves them up as two-track CDs, complete with original B-sides and artwork.
Kim Wilde's number one cover of the Supremes' "You Keep Me Hangin' On" gave her a number one hit back in 1987, but she gained chart life five years earlier with the glitzy bounce of "Kids in America," allied with the new decade's keyboard-laden pop sound and peaking at number 25 on Billboard's Top 40. The Singles Collection 1981-1993 is easily the most opportune avenue available to investigate the rest of Wilde's material. While video may have been her best friend throughout her career, sporting her attractive looks and modest Brit attitude, Wilde's music does contain some pleasing dance hooks and catchy melodies. "Another Step (Closer to You)" and "Love Is Holy" are bright and lively with typical yet congenial pop melodies, while "You Came" mixes a clean, keyboard-aided backdrop to Wilde's sheer vocal style. "Chequered Love" and "Water on Glass" aren't genius, but their arrant pop melodies and simplistic beats are anything but standstill.
Jimmy Smith wasn't the first organ player in jazz, but no one had a greater influence with the instrument than he did; Smith coaxed a rich, grooving tone from the Hammond B-3, and his sound and style made him a top instrumentalist in the 1950s and '60s, while a number of rock and R&B keyboardists would learn valuable lessons from Smith's example.