While Ivo Pogorelich established his reputation performing mainly Romantic repertoire, his few forays into the Baroque reveal him to be an equally engaging- if not eccentric musician here as well. In quicker movements, such as the opening Preludes of the English Suites for instance Pogorelich's rhythmic control and contrapuntal clarity are simply amazing. Slower movements likewise are handled with remarkable intensity and delicacy. Pogorelich's performances of four Scarlatti sonatas concluding the program as well are wonderfully animated and knowing.
Emil Georg Conrad von Sauer (October 8, 1862 – April 27, 1942) was a notable German composer, pianist, score editor, and music (piano) teacher. He was a pupil of Franz Liszt and one of the most distinguished pianists of his generation. Josef Hofmann called von Sauer "a truly great virtuoso." Martin Krause, another Liszt pupil, called von Sauer "the legitimate heir of Liszt; he has more of his charm and geniality than any other Liszt pupil."From Wiki
This reissue box collects the entire cycle of Mozart keyboard sonatas, plus single-movement works, recorded by Austrian pianist Paul Badura-Skoda on a 1790 Schantz fortepiano that he himself owns. The six CDs included were originally recorded between 1978 and 1990 for a group of related French labels; the budget-price reissue on Naïve is a bit atypical for that label, which has specialized in innovative and lavishly designed full-priced releases. Online retail presentations may not make clear that they are fortepiano recordings, recordings made on a keyboard instrument probably very much like one Mozart would have played himself.
It is said that Haydn's hands (and brilliant compositions) lifted the piano sonata from the drawing room to the concert hall. Not even Mozart would outdo this Austrian master in this particular medium-and, as for faithful performances of these Haydn masterpieces, no one outshines Rudolf Buchbinder, the youngest student (then age five) ever admitted to the Vienna Musik Hochschule. He went on to an illustrious career as a performer and recording artist, and here are his treasured 1974-75 recordings of Haydn's complete piano sonatas.
Acclaimed French harpsichord player Christophe Rousset seems to have made only this one CD of Domenico Scarlatti sonatas to date. All but the last 4 sonatas were performed on a single manual Portuguese instrument dating from 1785. It has a silent action, a pungent bass and spicy, rich sonorities right up to the top treble. The other instrument has two manuals and, dating from 1756 England, is closer in time to Scarlatti's own era. Rousset makes good use of the resources the two manuals provide, and accidentally kicks the wooden casing, in K 140. Like most keyboard players who enjoy a challenge, he has a high old time with the frenetic repetitions and hand crossings in K 141 (which M.Argerich did on piano in a famous Youtube video btw)
The late 18th century was a transcription-heavy time, and it would seem that the substitution of a flute for the violin in Mozart's sonatas for violin and piano would be the most natural thing in the world. Yet it doesn't quite work out that way in this release by French flutist Patrick Gallois and Bulgarian pianist Maria Prinz. The music makes a perfectly pleasant impression; Gallois comes from a long line of French players whose tone alone is probably worth the purchase price, and he's got a lovely way with Mozart's melodies.
This is a genuinely heart warming recital of chamber music from the latter part of the 17th century by the north German masters Johann Adam Reinken and Dietrich Buxtehude, both among the influences on the young J.S. Bach. The two were great friends and shared compositional tastes. Melody is not the issue here, neither is the extroverted passion of Italian composers of the period. This is more the animated conversation of friends sitting around the fire discussing various topics after a good meal.