Blues shouter Henderson was quite a popular jump blues singer on the postwar L.A. scene. His 1945 output for Apollo, collected here, rates with his best; backed by top-drawer sidemen including saxists Lucky Thompson, Wild Bill Moore, and Jack McVea and guitarist Gene Phillips, Henderson's pipes convey the proper party spirit on these 20 swinging sides.
Jimmy Forrest had a tremendous hit in 1951 with "Night Train," a simple blues riff he lifted from Duke Ellington's "Happy Go Lucky Local." Although the tenorman was not able to duplicate that song's appeal with any other recording, he was a popular performer in the R&B circuit throughout the 1950s. Virtually all of his records from the era (originally made for the United label) are on this CD reissue, including five selections not previously released.
This was the first album that tenor saxophonist Jimmy Forrest made after his R&B phase ended. Particularly notable is that the set served as the recording debut of guitarist Grant Green; completing the band are pianist Harold Mabern, bassist Gene Ramey and drummer Elvin Jones. The top-notch group performs two ballads, "Caravan" and three basic Forrest originals, including the title cut. The music is essentially melodic and blues-based hard bop that looks toward soul-jazz. Everyone sounds in fine form.
This disc is really something special. Collectors are so spoiled for choice in the baroque repertoire at present, particularly on period instruments, but even in a glutted market this disc stands out for imaginative repertoire selection and outstanding interpretation. Its particularly gratifying, in these days of complete editions of everything, to see a discerning artist like Giuliano Carmignola choose four remarkably diverse works by three different composers, and simply play the living daylights out of them. The result roundly disproves the notion that Italian baroque violin concertos all sound the same, a point made even more forcefully by imaginative continuo work (on harpsichord, lute, and organ) by the Venice Baroque Orchestra that helps to emphasize each pieces individual character. The two Vivaldi concertos, for example, couldnt be more different.